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Monday, January 21, 2019

MA-135 - One Word 80s

In my vast and purely subjective survey of pop music from the 1980s, one clump of songs leapt out at me for a simple reason:

They all have one-word titles!

01 - People - F-Systems - 1980   (3:40)
02 - Freak - Bruce Foxton - 1983   (3:23)
03 - Dance - Odd Stories - 1981   (2:22)
04 - Aggression - Secret Life - 1985   (2:48)
05 - Downstream - The Rainmakers - 1986   (3:31)
06 - Observer - The Stripes - 1980   (2:33)
07 - Vanity - Trial Offer - 1981   (2:49)
08 - Bug - Cleavers - 1980   (2:22)
09 - Mundane - The White Liberals - 1985   (3:26)
10 - Television - The Modes - 1985   (3:55)
11 - Now! - Cement Trampoline - 1989   (3:25)
12 - Amnesia - Fingerprintz - 1980   (2:44)
13 - Secrets - The Staff - 1981   (2:31)
14 - Girls - The Orchids - 1980   (3:28)
15 - Breakout - Drinking Electricity - 1982   (3:25)
16 - Radio - The Lookalikes - 1980   (3:05)
17 - Carefully - Krisma - 1983   (4:37)
18 - Sanctuary - New Musik - 1980   (4:15)
19 - Cameras - Motifs - 1982   (3:54)
20 - Voices - 17 Pygmies - 1986   (3:06)
21 - Channels - I Spy - 1982   (2:21)
22 - Intimacy - Linn Vann Hek - 1982   (4:01)
23 - Intercontinental - Afraid of Mice - 1981   (2:54)
24 - Jungle - Significant ZerØs - 1981   (3:13)

The background Wall of Words is from the October 13, 1988 Bush-Dukakis debate.

The background text for the disc art is from a Gorbachev speech on December 7, 1988.

https://www.filefactory.com/file/2yoe836ojhxs/MA-135.rar

Those of you familiar with the 1982 film Megaforce and its slogan will find something familiar here too.

See you on Thursday, fellow mavens!
 

Thursday, January 17, 2019

Celebrating the Big Show: Haunts of Showbiz


Haunts of Showbiz



          Horror and show business are often intertwined by devilishly inventive creators . . .

           The Phantom of the Opera, familiar in novel and film form, concerns a cast-off fellow named Erik.  After a stint with gypsies in their freak show, Erik moves into the catacombs below the Paris Opera and begins a reign of terror as he searches for the owner of the perfect female voice.


          “Return to the Sabbath,” by horrormeister Robert Bloch, first appeared in 1938.  In this creepy little tale, a film producer tracks down the star of a disturbingly realistic horror film and signs the fellow as his next acting discovery.  Trouble ensues as we discover that the devil worshippers in the original film are real, and want their revenge.  
          The story was adapted in 1964 as “The Sign of Satan” for The Alfred Hitchcock Hour, starring Christopher Lee as the horror actor whose death’s-head role becomes all too true.


          Fritz Leiber’s 1965 story “Four Ghosts in Hamlet,” first printed in The Magazine of Fantasy and Science Fiction, concerns a traveling company that accrues an extra ghost in the cast while performing Shakespeare, due to some too-successful Ouija board sessions.


           While the trail of deaths that followed Karidian’s Shakespeare Troupe in Star Trek’s 1966 “The Conscience of the King” were decidedly non-supernatural, the uncertainty and suspense conjured by Barry Trivers’s story make for a fun and unsettling hour of sci-fi TV.



          The 1980 horror film Fade to Black features a psychotic movie buff who is spurned by a Marilyn Monroe lookalike.  He decides to take revenge on his boss and other enemies, dressed as early movie starsKarloff’s mummy, Cagney’s Cody Jarrett, and Lugosi’s Dracula, among others.


           Perhaps the ne plus ultra of showbiz horror is Bradford Tatum’s 2016 novel Only the Dead Know Burbank.  It tells the story of Maddy Ulm, an adolescent German girl whose death in the 1918 Spanish Flu epidemic is only the beginning of horrors.  She rises, undead, in a Berlin ravaged by WWI.  After joining a German film company, she singlehandedly creates the templates of film horror as she journeys to Hollywood and Universal Studios.  She cuts the final version of Chaney’s Phantom; her traveling partner, a wounded WWI soldier, inspires Jack Pierce’s design for the Frankenstein Monster.  Maddy also inspires the writer of The Wolf Man, and in other unbelievable ways lays the foundation for the horror-media industry.



Perhaps now, through your knowledge, some of these ghosts have been laid …
  

Monday, January 14, 2019

From the 1970s: Oil Transforms Bartlesville!

In my attic I came across a box containing this Public Service Ad about my hometown, Bartlesville, OK.

That oil (funneled through Phillips 66) fed, clothed, and raised a few tens of thousands of folks in B'ville.

I remember hearing rich folks say, "Fill 'er up with Flite Fuel!"  Of course, we just got regular gas.

See you once more on Thursday, fellow seekers of truth.
 

Thursday, January 10, 2019

Three Sgt Pepper Reviews from 1967

While looking for something in the attic, I came across a box of articles I nabbed from various mags.

Here is the august New Yorker's review of Sgt Pepper's Lonely Hearts Club Band on June 24, 1967:


Below is Newsweek's survey from its June 26, 1967 issue:
Obviously, at some time in my past, I cut out the image (probably the album art).  It may have been for a cassette dub of the album.  This would have been when my version of a tape dub was achieved by dangling the cassette-corder's wired mic between two speakers. The speakers were face-to-face, with a blanket draped over them.

High Fidelity's August, 1968 issue had this to say:
Another case of a cutout illo.

See you again next Monday, folks.



Monday, January 07, 2019

From 1981: Coleco's Table-Top Pac-Man

With or without spousal approval -- I honestly do not recall -- I spent about 50 bucks in 1981 at the JC Penney in OKC's Shepherd Mall for this beauty:
Here are scans of the instructions:











I took the picture at the top of this post on New Year's Day a week ago.  The thing still works!

As proof, herewith is an experimental first -- the first video posted on the Super Blog.  One word of warning:  The video was shot with the same ten-year-old Pantech phone as the photo.  So, the video tech is about one-third as old as the game!


Enjoy this trip down memory lane.  See you on Thursday!
 

Thursday, January 03, 2019

1976: King Kong Is Remade, and It Sucks

Joyce and I stood in line at the Shepherd Mall Twin on December 17, 1976, to see the new King Kong.
Note the tagline of the ad.  The only thing semi-exciting about this turkey was noting how unlike a giant ape was Rick Baker in a monkey suit.  The one shot (Kong in a cage in a parking lot) which showed a "full size Kong" was so obviously a pathetic robotic statue that you had to shake your head over the idiocy of the morons who thought these "special effects" were anything special.
That Sunday, the 19th, the Oklahoman's Sunday entertainment insert carried this PR puff piece.


The only Kong-sized thing was the fans' disappointment.
 The December 20th Newsweek carried the above ad.  Note the blatant lie in the tagline.  "Original," oh yeah.

Elsewhere, the mag had this semi-review.

And you know what's also sad?  About thirty years or so after this abomination was made, some guy named Jackson spent even more money making a Kong which was just as disappointing to this fan of the unbeatable original King Kong.

See you on Monday, friends!

Don't take wooden giant apes!  (We've already seen them.)

Monday, December 31, 2018

From 1987 - A Video Enhancer

They sold devices like this in the back of many magazines with home-video topics.  I bought this by mail because I was doing a lot of home taping of old monster movies and compiling them onto other tapes.

Note the future-sounding "2000" in the model number.







No, I don't still have this critter.  And if it had worked according to promise I probably would remember using it.  But alas! poor Video Enhancer, I only know you by your instructions.

Come back on Thursday, to begin a New Year of silliness and profundity!
 

Monday, December 24, 2018

The Stardate Before Christmas

I wrote this several years ago and recently tuned it up.  (Long after writing this, I learned that I wasn't the only one to have a similar idea:


But believe me (or don't), for me this was an original idea.  The existence of cousin-parodies only proves that some ideas are too fertile to ignore by such great (or silly) minds as ours!)




The Stardate Before Christmas

copyright 2018 © by Mark Alfred



’Twas the stardate ’fore Christmas, and all through the shipple,

Not a creature was stirring, not even a tribble;

The boots were all stacked by the bulkheads with care

In the hopes that St Nicholas soon would be there.



The recroom was trimmed in a Christmassy way,

And bright holly was draped round the viewscreen display.

Every hallway had echoed with carols of cheer

And the punchbowl stayed full at this time of the year.



Now the crewmen were nestled, some two in a bed,

While visions of bonuses danced in their heads.

And McCoy in his sickbay, and Spock on his rock,

Had tucked themselves in to snore right through the clock,



When from the transporter room came such a clatter

I dashed down to D Deck to find out the matter.

And who to my wondering eyes should beam in?

Harry Mudd on a sleigh, piled with gifts to the chin!



Sure, his eyes beamed with friendship and holiday mood –

But I felt in my heart he was up to no good.

More rapid than phasers, my anger it came;

I thundered, I shouted, I called him foul names:



“You sneak thief! you shyster! you cutpurse! you liar!

I’d love to parboil you above a slow fire!

I’d have you strung up from the highest high gibbet –

So beam away, beam away!  Right now, this minute!”



But then, in a twinkling, he pulled a device

That froze me unmoving, as solid as ice.

I could twitch not one muscle; I yelped not one yelp.

“Ah, Kirk-boy!” Mudd chuckled.  “I’d hoped for some help.”



His eyes, how they glimmered!  His moustache, how droll!

Yet I moved not a limb; just my eyes gave a roll

As his weapon took over.  I picked up each gift,

And followed him, slavelike, to each turbolift.



I walked like a puppet, but still I could grieve

At whatever mad deviltry hid up his sleeve.

Yet we stopped at each cabin.  He pulled out a package,

And labeled it, checking each wrapping for breakage.



There were Q-tips for Chekov, a sabre for Sulu,

For Scotty, a jug of scotch – no, make it two.

For Uhura, a nightie; for Spock, an earmuff;

For McCoy, a new medkit (will one be enough?).



So on through the ship.  As my burdens grew lighter,

The smile on Mudd’s face grew yet brighter and brighter.

We came back to the D Deck at breaking of day,

And he ended my trance, and he backed quick away.



“All right, tell the truth!” I burst out in a fury.

He held up a hand and said, “Jim-boy, don’t worry.

A rascal I may be – today, don’t you fear –

You have no monopoly on Christmas cheer!”



So I stood there quite speechless, stock-still in my track.

Mudd had caught me off-guard – I could not answer back

As he passed me to work the transporter console,

And he gave me a nod as he set the control.



He sprang to his sled with a wave and a whistle,

And away he was beamed like the down of a thistle.

But he heard me exclaim through the transporter whine,

“Harry Mudd, Merry Christmas!  But just wait ’til next time!”


Merry Christmas to all!  See you next Monday.
 

Monday, December 17, 2018

More Things from Inside Books

I have always had a habit of noticing things which are tangentially relevant to other things.  I decided that these things were appropriate to The Annotated Mother Goose, a 1962 book by several members of the Baring-Gould Family.
Above is a scan of my copy's front cover.  Inside the book, I recently found a clipping from an unknown Reader's Digest:
And a Sunday strip from 1975 of The Born Loser:

Believe me, I know exactly how Brutus feels!  

I too can become caught up in a wistful memory.  Oftentimes it's cause by seeing a full moon.  But I've been known to let out with an imitation werewolf howl at any phase of the moon!

See you next Monday for more profound silliness.
  

Monday, December 10, 2018

Who Else Loved TS Eliot's "The Waste Land" at Age 15?

I had a perfect upbringing, reading-wise.  Besides Mom's immersing me in books from near-birth, I worked in the school libraries at Madison Jr High and Sooner High School in Bartlesville, OK.

When magazines got rotated out as too old -- I don't recall how long that took -- then the magazines were fair game.  So, of course, I glommed onto mentions of TS Eliot's "The Waste Land."

These clippings from the end of 1971 refer to a publication of Eliot's working notes and earlier versions of the poem, and Ezra Pounds's work on it.





Newsweek beat Time by about a week.


I don't recall specifically if any English teacher at Madison influenced my interest in poetry.  But by age 15, "The Waste Land" was on my hit list.

How about you?  I think it's a masterful, mosaic depiction of the fragmentation of modern civility and the empty lives of people.  People who feel empty try to fill that God-shaped hole with all kinds of things … sex or drinking (among many more) as in the poem, or … name your poison!

This Christmas, seek Him who is indeed able to give you the peace beyond understanding referenced at the end of "The Waste Land."  And to all I say, with Eliot, "Shantih.  Shantih.  Shantih."
 

Wednesday, December 05, 2018

A Plea for Help to Aid a STAR TREK Pioneer's Family


I just heard from my friend Mark Cushman that John DF Black has passed on.

As you know, John was not only Associate Producer on the first 13 episodes of TOS, and the series first story editor, and the writer of "The Naked Time," but was the one who came up with the line: "Space ... the final frontier."



He should get a proper send off into the final frontier!






Much appreciate your help in spreading the word.

If you feel you wish to help, and can help, please do!

See you back here on Monday.
All original content
copyright
© by Mark Alfred