This is another
of those fictional takes on history, laying out a possible explanation of the
JFK homicide. The main character of the
book, Bob Lee Swagger, is evidently a franchise character for Mr Hunter, though
I don’t know any of the author’s other seventeen books.
Swagger is
a seventies-something guy who is asked to investigate the hit-and-murder of a guy;
this leads him into the JFK mess. “The
Third Bullet” of the title is a Mannlicher-Carcano bullet mounted on the
cartridge of a very accurate rifle fired by a super-marksman from the Dal-Tex
building, with Oswald as the patsy, LHO thinking that he himself is an assassin
run by a Russian agent.
The idea is
that a top-of-the-line American spymaster is worried that (ex) General Edwin
Walker, that right-wing agitator, will gain enough influence to drag the
country into a full-fledged Vietnam war.
When puppetmaster Meachum learns that Oswald in his attempt to emigrate
to Russia/Cuba claims to have taken the April 10, 1963 shot at Walker (it
missed), Meachum decides to enlist him to try again and do it right. This would eliminate Walker as an agitprop agent
of the warmongering, Red-baiting Right Wing.
(HUMOROUS
ASIDE: I think it amusing that Microsoft
WORD allowed the use of the word “agitprop” without suggesting a
correction. In other words it’s in MS
WORD’s basic dictionary.)
When our
hero Swagger starts to unravel the big ugly ball of twine, the now-retired spy
decides to shut him down, too. And so a
battle of wits transpires.
Now, I
don’t know whether a psychological/behavioral analysis of LHO would disprove
this description, but still! It is the epitome of author-as-bully
to describe somebody this way. It’s like
drawing a mustache on a portrait that you yourself are painting! Oswald might have been a creep for real, but
the hatred that drips from the pen in these one-sided characterizations reminds
me of a thirteen-year-old teenage girl with acne, all alone on prom night,
drawing “XXX” across the yearbook picture of the popular girl while saying to
herself, “THAT will fix her!”. Such abuse
of the writer’s craft shows a streak of pettiness in the writer, in my opinion.
Of course,
the author of this book and Mr King of Maine both feel justified because, IN
THEIR VIEWPOINT, Lee Oswald REALLY WAS
the King-Killer, at least in intent.
This makes him fair game for authorial bullying, I guess. Surely such an obvious thing was noted by
editors and commented on. Was this characterization
intentional, anyway? or did it drip unbidden from an authorial
unconscious?
I am sure
that there is a fraction of the American people that believes that we would now
be living in the Millennium, if only that rat-bastard Oswald had not slain the
Golden King and allowed that other rat-bastard LBJ to ruin everything. But this is an emotional viewpoint, an article
of faith, that may lie unexamined in the bedrock of some folks’ feelings.
In mine own
views, this is really more the mark of a foaming-at-the-mouth
hate-speech-writer than the attributes of a novelist whose work I want to read
more of.
As elegant
as Mr Hunter’s theory-of-assassination might be, it lays out the events as an
improvised hit by elements already in place for a hit on General Walker, a team
whose boss is stuck by inspiration when learning that JFK is comin’ to town.
The problem
with this idea is, it doesn’t explain the elements (before and after the hit)
that were undertaken by other people to fake and obfuscate.
·
The imposter Secret Service agents on the Grassy
Knoll.
·
The replacement of the limo’s windshield before
it could be investigated as evidence. · The funny business with the autopsy and the forging/replacement of government records/photos/x-rays.
So, as a
book it’s interesting and well constructed.
As an alternate theory it’s about 50 percent short. And its depiction of Oswald shows the worst
sort of authorial bullying.
What do YOU think?