Welcome to BLOG-O-WEEN!
For the
beginning of this wonderfully creepy time of year, it’s a new music comp. here are the bloody ingredients for this
monstrous mash:
01 - Halloween - Ron
Haydock and the Boppers 1961 (2:49)
02 - Suffocate - Ralph
Smedley 1962 (2:04)
03 - The Cave (Parts 1 & 2) - Gary
“Spider” Webb 1961 (4:43)
04 - Dracula - Desmond
Dekker 1964
(2:52)
05 - Serpents & Spiders - Jimmy
Friis & the Valiants 1964 (2:52)
06 - The Booga Man - The
Poindexter Brothers 1965 (2:44)
07 - The Invasion Is Coming - The
Invasion 1967 (1:45)
08 - Frankenstein - King
Horror 1969 (2:12)
09 - Haunted House - Joey
Tedeschi and the Idols 1966 (2:19)
10 - Dracula Cha Cha - Los
Dandies 1960 (3:00)
11 - Dorothy, My Monster - The
Champions 1961 (2:04)
12 - The Monster Miss - Miss
L L Louise Lewis 1962 (1:38)
13 - Haunted Castle - The
Kingsmen 1963 (2:47)
14 - The Birds - The
Motivations 1963
(2:12)
15 - Spider Walk - The
Sabres 1965 (2:29)
16 - Two Souls - The
Grim Reapers 1966 (2:54)
17 - The Friendly Undertaker - ‘Fingers’
Lee 1965 (2:48)
18 - Gary Ghoul Boy - Teddy
and Darrel 1966
(2:25)
19 - I Ain't Superstitious - Howlin'
Wolf 1961
(2:50)
20 - There Was a Fungus Among Us - Hugh
Barrett & the Victors 1961 (2:01)
21 - People from Another World - Jive
Five 1961 (2:26)
22 - Wolf Gal - Skipper
Ryle 1962 (2:18)
23 - Why Do I Love You - Bela
la Goldenstein 1962 (2:09)
24 - Transylvania Mist - Donnie
and the Del Chords 1963 (2:28)
25 - The Addams Family Theme (long) - Vic Mizzy 1964 (1:22)
26 - Go Go Gorilla - The
Shandells 1965 (2:53)
27 - Igor's Cellar - The
Detergents 1965
(3:02)
28 - Horror Asparagus Stories - The
Driving Stupid 1966 (2:34)
29 - Sleepy Hollow - The
Last Word 1966 (2:50)
30 - In My Grave - The
Reactions 1968 (2:46)
31 - The Maddest Story Ever Told (from Spider Baby) - Lon
Chaney, Jr 1967 (2:19)
Yes, it’s a disgusting, wild, and woolly ride from now until
the Thirty-First!
Come back every Monday, Wednesday, and Friday for new posts
on the Super Blog. And visit every
Monday and Thursday at the Record Round-Up for new posts of Halloween audio
shenanigans!
Welcome to my world!
Tuesday, October 01, 2019
Monday, August 26, 2019
It's an Astounding Piece of Americana!
In the summer of 1974 I produced the following messterpiece, on a 15½-by-21½-inch posterboard:
I shall now proceed to explicate its components.
TOP RIGHT-HAND CIRCLE:
The circle and its hollow center are tracings of a 45rpm record. The four panes are ...

· 12 o’clock: Image from “Wardrobe of Monsters,” art by Gray Morrow. Story by Otto Binder. I encountered in Eerie # 15, June 1968. (Note the bottom-left panel.)
· 3 o’clock: Image from “Head Shop,” art by Jose Bea. Story by Don Glut. I encountered in Eerie #51, September 1973.

· 9 o’clock: Image from “The Graves of Oconoco,” art by Pat Boyette and Rocke Mastroserio. Story by John Benson. Also from Eerie # 15, June 1968. (The last panel.)
THE PSYCHEDELIC HAND: is a tracing of my own hand, at that time. The illustrated interior was inspired by Ray Bradbury’s Something Wicked This Way Comes, which I first finished reading on April 25, 1974. You’ll recall that when Mr Dark is searching for Jim and Will, the boys’ faces are tattooed on his palms.
THE SNAKE: is a freehand drawing. But its head is the skull from the Visible Man model kit.
CENTER MOON/TOWER/HEARSE:
The swastika windmill sitting atop a hearse is inspired by the windmill seen at the end of the original 1931 Frankenstein.
THE SWOOSH IN THE TOP LEFT-CENTER:
The bottom circle contains an image cribbed from the 1973 cover of that monument of tripe, Jonathan Livingston Seagull.
The human silhouette is from some self-help book which I cannot now recall.
The Porky Pig is a common one, like this.
The Groucho Marx caricature is copied from the 1973 Manor Books printing of Groucho and Me.
The Batman face is from the over of an 80-pg Giant, Batman #198, cover-dated January 1968.
And here’s an insert.
The hand is merely a sketch of the infamous rubber hand I bought at a novelty shop, and took with me on a choir trip to Galveston, TX, where it featured in many gag photos.
What’s on the other side, you ask?
Why, it’s a scotch-taped Beatles collage!
Well, this will have to hold all y’all for the month of September. We’re takin’ a break until October, when we’ll dive into ...
BLOG-O-WEEN!
See you then!
Monday, August 19, 2019
Monday, August 12, 2019
It's a Way Out Word Search!
Way Out Word Search
After the resounding success of the Lord of the Rings Word Search (solution here), I decided to make up another one. Unlike the first one, this was not done “freehand,” I used a handy-dandy program, Discovery Education’s Puzzle Maker.
Here are the words used, in alphabetical order:
airlock
alien
android
asteroid
astronomy
atmosphere
atom
binary
biometric
civilization
clone
comet
computer
cosmic
cyber
dimension
dystopian
elliptic
emission
entropy
environment
experiment
explore
extraterrestrial
forcefield
frontier
future
galaxy
gravity
hologram
infinite
ionosphere
moon
nebula
nova
orbit
planet
predict
radioactive
relativity
robot
rocket
singularity
slingshot
space
star
tech
terraform
thrust
time
universe
utopian
vacuum
velocity
voyage
wavelength
world
wormhole
alien
android
asteroid
astronomy
atmosphere
atom
binary
biometric
civilization
clone
comet
computer
cosmic
cyber
dimension
dystopian
elliptic
emission
entropy
environment
experiment
explore
extraterrestrial
forcefield
frontier
future
galaxy
gravity
hologram
infinite
ionosphere
moon
nebula
nova
orbit
planet
predict
radioactive
relativity
robot
rocket
singularity
slingshot
space
star
tech
terraform
thrust
time
universe
utopian
vacuum
velocity
voyage
wavelength
world
wormhole
You can find the words in any ol' ding-dang direction … sideways, backwards, up and down. But every word is in a straight line with all letters contiguous.
The answer next Monday! See you then!
Labels:
My Things,
News and Observations
Monday, August 05, 2019
Celebrating the Big Show, Part 4
Notable!
Controversial!
Carnival
& Circus Movies!
Films
set in carnivals or circuses are legion, perhaps because of showbiz’s own
narcissism. Here are some of the most
notorious.
The Cabinet of Dr Caligari (1920)—This triumph of expressionism tells the creepy story of a puppetmaster who sets up at the town fair. He uses his hypnotic powers of control, forcing a somnambulist to kill at his bidding. The silent film remains disturbing today. Its off-kilter sets, inhabited by title character Werner Krauss and the sneaky Conrad Veidt, conspire to draw the viewer into a dreamy Neverland of queasiness and murder.
Freaks (1932)—After helming Universal’s surprise-smash horror film Dracula (released on Valentine’s Day, 1931), director Tod Browning was given a virtual carte blanche for his next film, to be shot for MGM. Launched from the 1923 story “Spurs,” Freaks is a pre-Code film that’s now infamous for its unflinching depiction of human oddities, as they live their everyday lives as circus freaks. The film was withdrawn from release after only three weeks by MGM, and denied release in England for 30 years. Freaks outraged filmgoers and critics with its storyline too: A sexy “normal” trapeze artist and her strongman lover lay a plot for her to marry and murder a midget for his inheritance. However, the pair doesn’t make allowances for the way midget Han’s circus associates stick up for him. The banquet scene in which the freaks welcome Cleopatra into “the family” is a well-known scene of showcase and spectacle. But most disturbing of all to 1930s audiences was the revenge of the freaks on Cleopatra, after they uncover her scheme: The Human Torso inching through the rain with a knife between his teeth; legless Johnny Eck scuttling on his hands. The result of their vengeance, though marred by 1930s makeup, is still a triumph of tit-for-tat, as the freaks turn the “normal” Olga into … watch for yourself!
What
do you get when the world’s biggest rock supergroup decides to pile into a bus
and make a movie about wherever they end up?
The 1967 trainwreck-of-a-tale Magical Mystery Tour, presented by
the Beatles originally on BBC-TV. While
redeemed by the title song and others like “The Fool on the Hill,” “Blue Jay
Way,” and many more, the film itself is an example of what happens when
creative geniuses dive into projects with no preparation or concept of their
final goal. Among the scenes are a strip
show and a final song by the Fab Four, in tuxedoes strutting before a
night-club crowd. Roll up!
The
Day the Clown Cried (1972)—This unreleased Jerry Lewis film tells the
WWII story of a clown who accidentally insults the Reich and is arrested. Eventually the clown finds himself leading
children to the gas chambers, the ultimate evil clown. The controversy surrounding this film led to
Lewis’s donating its print to the Library of Congress, with a stipulation that
it not be released until 2025.
Vampire
Circus (1972) tells of a
travelling circus and a lot of vampires, as they arrive at a small Austrian
town. Highlights include animal acts and
erotic gyrations on the stage between a “tiger woman” and her handler. Well, that and dismembered bodies, Gypsy
fortunetellers, and a vampire battle in an underground crypt.
The
1980 historical drama The Elephant Man was set in Victorian England. Its title character: Joseph Merrick, a man horribly afflicted with
Proteus syndrome, which caused out-of-control growth of some body parts. He was a freak-show exhibit when discovered
by surgeon Frederick Teves, who attempted to research the man under the
deformity. In 1983 English rocker Bruce
Foxton released a song “Freak,” based on this movie.
Funhouse (1981) tells the sad story of a bunch
of weeded-out teens who decide to spend the night in a funhouse, never
imagining that they’re trespassing in the realm of a deranged murderer who
wears a Frankenstein mask.
Something
Wicked This Way Comes (1983) was released by Disney after much surgery
both before and after production. Disney
spent $5 million after the original wrap, including a new score by James
Horner. The film starred two
12-year-olds who aappear noticeably older in some scenes than others, due to
reshoots. Based on the American prose
classic by Ray Bradbury, the story originated as a screenplay written in the
early 1960s to star Gene Kelly. The
novel spins a moving tale of friendship and father-son love, both of which come
under attack from the denizens of an evil carnival. The eventual ending is an all-too-common case
of too many Disney cooks spoiling the broth.
Nevertheless, the oily, sinister Mr Dark is the role Jonathan Pryce was
born to play.
Killer
Klowns from Outer Space
(1988) actually features aliens from space masquerading
as clowns. Still, but they do transform their spaceship into a
carnival tent to lure their victims.
Beware Jojo the
Klownzilla!
See
you in the movies, kids!
Labels:
My Things,
News and Observations,
Scary Fun,
TV and Movies
Monday, July 29, 2019
Watchpanels, Part the Fifth
WATCHPANELS
One compulsive reader’s observations ...
after gazing into Watchmen for the umpteenth time
PART
THE FIFTH
All right, I’ve got photons in my teeth and my wrist brace on ...
In
this balanced
view of Rorschach’s unbalanced life, we see on page 11 that even the food
stains on his dirty dishes are symmetrical!
On
the last panel of page 21, Joey is reading the lastest issue of Hustler. After some squinting, I think I deciphered
the ad on the back of the mag,
·
The quotation ends with a period.
·
The epigraph box in the comic gives the writer’s
name as “Wm. Blake.”
·
The second “tyger” is capped in the rebound
edition.
·
A question mark appears at the end of the
quotation.
·
Blake’s first name is spelled out.
There’s
an amusing misprint on two pages of the supplemental materials.
The
book-title sidebar should read “TREASURE ISLAND,” not ‘TREASURY ISLAND.”
And
take a look again at the other side of the page. If pirate comics are all the rage, and
superhero comics fizzled in the early 1940s, why does the “DC Bullet” include
Superman’s name? Of course, the answer
is that this is an authentic image from “our” world.
I
made my own version of what the DC Bullet might have looked like in the Watchmen
world. What do you think?
I
want to make two observations about this brief piece of the last page of
Chapter 5’s supplemental material.
I
wonder if the title of Max Shea’s book Fogdancing was inspired by Ben
Mears’s Air Dance, from Stephen King’s Salem’s Lot, published in
1975?
Secondly,
notice the typo in the first sentence of the paragraph at the end of this
image. Do you suppose that “the time of
this writhing” was a subtle clue to the nature of the Space Squid?
At
any rate, “writhing” was corrected to “writing” for the bound versions.
The
last thing to be found in the comic, on the paperclipped note about the "next issue," doesn’t appear in the
reprints.
That’s all for Chapter 5. Seven chapters left!
See you next Monday for the next silly or profound ruminations on the Super Blog!
PS you may find all previous observations about Watchmen under the rubric WATCHMENUTIA on the right-hand sidebar.
Monday, July 22, 2019
Moon-Day, Monday ... So Good to Me!
50 years ago, the paper of record, the Tulsa World, provided its coverage of the exciting Moon landing and Moon walks.
I only kept the front page, not the whole section. Boy, how exhilarating it was to be an American kid those days!
And a Brit won a wager over the timing of our Moon landing.
My favorite note is pointing out that the staid, official Tulsa World staff had a sense of humor amidst the celebration and seriousness.
Look at the date slug. What day of the week it is? Why, it's MOON-DAY!
Many happy Moon-day return to you all, and I'll see you back here next Monday!
I only kept the front page, not the whole section. Boy, how exhilarating it was to be an American kid those days!
And a Brit won a wager over the timing of our Moon landing.
My favorite note is pointing out that the staid, official Tulsa World staff had a sense of humor amidst the celebration and seriousness.
Look at the date slug. What day of the week it is? Why, it's MOON-DAY!
Many happy Moon-day return to you all, and I'll see you back here next Monday!
Labels:
My Things,
News and Observations,
Nostalgia
Subscribe to:
Posts (Atom)
All original content
copyright © by Mark Alfred
copyright © by Mark Alfred












































