Observation for Now

There was a star danced, and under that I was born.

-- Wm Shaks-spar, “The Tempest”

Friday, January 30, 2015

Cyrus Atwill, Human Scum

Here in the middle of the first story of Superman #176 from 1965, the time-traveling Superman and Super-Pets have discovered a man whose every conduct is animal-UN-friendly.  He is nearly counterbalanced by a gent named Henry Bergh, who is a voice for humane treatment of animals, including the circus beasts where Kal-El and company (undercover as Superb-O and his Performing Animals) are basing.
 Bergh and Superb-O have just relieved the plight of a bunch of pack horses, and Bergh's trying to raise money for a fund to take care of all mistreated critters.  This while they observe Atwill, that lovely example of humanity, get his kicks from all sorts of low-down behavior.

BTW, the dandy in blue attire is Bergh; the guy in the green suit is our leading man, Kal-El -- I mean Clark Kent -- I mean, Superman -- I mean, Superb-O.

Now comes the part of the story that will satisfy the heart of every kid who wanted to stand up to a bully.  This particular situation seems worse, in that the animals being mistreated CAN'T stand up for themselves, and are pretty much helpless unless another human comes to their aid.

Or, unless some Super-Pets chip in!

First up in the re-education of Cyrus Atwill:  A wild ride with Super-Horse!  Up in the air, Junior Junkman!

Next, Atwill figures he'll cream that dumb ol' dog standing next to the junkpile he's collecting.  Hmm.  The dog doesn't yelp.  The scrap iron Atwill throws breaks and bounces off, while the dog stands there like a ... like a ... like a STATUE!

Man, that is some "special, quick-drying cement"!  Of course, it had super-breath helping it set.

Next up ... Streaky, in disguise as a harmless little kitty-cat who shows up begging for scraps.  Now, Atwill is a jerk in nearly every way, but one observation of his is true:  If you reward begging, you encourage such behavior.  That also applies to human behavior and government entitlements!  (That's why job programs, recreation, and education are so much better than just bein' on the dole.)

It's a good thing that Streaky's powers are still "on."  Otherwise that tar, and its removal BY HEAT VISION might have been a little painful.

As we leave Atwill playing horseshoes and unrepentant of his brutish behavior, let's spend the weekend wondering in what way Superman and Streaky will "get even with that rat, Atwill!"  I don't think that the cat gets to eat the rat, though she might play with him a little bit ...

See you Monday!

Thursday, January 29, 2015

Yee-Haw! MA-08 - Cowboy Songs

I invite you to join me in a celebration of true love, the great open pre-cluttered American wilds, and a fair helping of corny lyrics.

Since a few of these are recordings of radio shows or other semi-lo-fi media, there is some hiss or background noise present on some tracks.  Still, if you have half of the fun I have when playing these songs, you'll be satisfied, and maybe in love with your horse.

01. Back in the Saddle Again - Ray         Whitley & His Bar 6 Cowboys (2:40)
02. Song of the Sierra - Jimmy Wakely (3:00)
03. Carry Me Back to the Lone Prairie - Jimmy Wakely with the Jud Conlan Singers and the Three Rays (2:41)
04. Blue Prairie - Roy Rogers & the Sons of the Pioneers (3:01)
05. Lone Star Trail - Ken Maynard (3:14)
06. Blue Shadows on the Trail - Roy Rogers & the Sons of the Pioneers (2:51)
07. Don't Go Near the Indians - Rex Allen (3:07)
08.  Empty Saddles - Roy Rogers & the Sons of the Pioneers (2:41)
09. Jingle Jangle Jingle - Tex Ritter (2:50)
10. Blue Bonnet Girl - Roy Rogers & the Sons of the Pioneers (3:05)
11. I'm an Old Cowhand - Roy Rogers & the Sons of the Pioneers (2:45)
12. Ghost Riders in the Sky - Roy Rogers & the Sons of the Pioneers (3:20)
13. Tumbling Tumbleweeds - Sons of the Pioneers (2:42)
14. Last Roundup - Gene Autry (3:21)
15. Cowboy Yodel - Wanda Jackson (1:59)
16. Home on the Range - Roy Rogers & the Sons of the Pioneers (2:44)
17. High Noon - Tex Ritter (2:50)
18. Deep in the Heart of Texas - John "Dusty" King and His Range Busters (3:17)
19. Don't Fence Me In - Roy Rogers (2:52)
20. Banks of the Rio Grande - Eddie Dean (3:00)
21. Ragtime Cowboy Joe - Sons of the Pioneers (2:29)
22. I Want to Be a Cowboy's Sweetheart - Patsy Montana (2:40)
23. Happy Trails - Roy Rogers & Dale Evans (3:01)

Go West!

Wednesday, January 28, 2015

Super-Pets Got Thoughts!

FROM Superman #176, 1965:

 For a news story, Clark Kent is attending  the reading of the will of super-rich (dead guy) Mark Dane.  So far, Dane has given $100K each to two children's charities, and ONE DOLLAR EACH to his leech-like relatives, who'd been hoping to live high off the uncle's dough.

Now we learn that the estate's remainder, some two million dollars, is to establish a shelter for homeless animals, to be administered by The Legion of Super-Pets.  This bunch of critters was first assembled in Adventure 293 in 1962.

The Super-Pets are:
  • Comet the Super-Horse, once a centaur named Biron but now a telepathic horse with super-powers.  He's one of Supergirl's critters.  His Bronco Bill persona does not figure into this tale.
  • Streaky the Super-Cat.  He's a stray befriended by Kara while she languished in the Midvale Orphanage.  You see, she was performing chemical experiments to try and make Green Kryptonite harmless.  One of her (unsuccessful) samples was encountered by Streaky, giving him on-again/off-again super-powers.
  • Beppo the Super-Monkey.  He first appeared in 1959's Superboy #76.  Turns out he is one of Jor-El's experimental animals who had the good luck to stow away in a rocket that happened to carry baby Kal-El to Earth.
  • Krypto the Super-Dog is the original super-pet.  He was sacrificed (thought at the time) to an experimental Kryptonian rocket launch during Jor-El's research to save his son (and wife) from Krypton's KA-BLOOIE!  His rocket drifted to Earth eventually.
Now Superman decided to take the Super-Pets with him to Metropolis  the 1860s, to discover Mark Dane's history, and to try and figure out the origin of his obvious devotion to animal welfare.  As noted, Comet is already telepathic.  The others have been given a brief "tele-charge" by the Legion of Super-Heroes' Saturn Girl.

If that makes no sense, shame on you!  (The WB/CW's complicated relationships have NOTHING on Silver Age DC comic stories!)

As they head to the past, all they know is that Mark Dane's largess is motivated to atone for the anti-critter sins of his uncle, Cyrus Atwill.  So, the Super Team Five will look for him.

A smart and hide-in-plain-sight idea.  They're an animal-performance act !  This explains their greater-than-normal intelligence and (sometimes) their super-powers.

While they haven't met the beastly (ha-ha) Cyrus Atwill, they encounter plenty of cruelty to animals, and encounter an animal lover, Henry Bergh.

What's great about the way this story is handled is this:  It depicts thoughtless acts and their possible outcomes, as just a dangerous as intentional cruelty.  Case in point:  the kid about to throw a bottle at the hippo.  He's a little twerp and doesn't really care about the hippo, but we young readers learned from scenes like this that bad things could also happen unintentionally.

And don't you love Comet giving the bear "trainer" a taste of his own medicine!  "We animals must be kind to dumb humans!" Krypto reminds him.

We finally meet Cyrus Atwill as Henry Bergh demands that Atwill show his tired, beat horse a little kindness.  Not only kindness, but it only makes economic sense to take care of your work animal, I'd think.  Keep this one going -- it's gotta be cheaper than having to buy a new horse!

Pretty tricky how, after mean ol' Atwill shuts off the water valve, how Superb-O (note it's one letter away from "superboy") manages to turn the water back on!

Already we can see Bergh as a hero, and Atwill as the heartless wretch that he is.  Now that Superb-O and Bergh have officially met, and we've encountered the black heart of Cyrus Atwill, what will happen next?  How will the Super-Pets help Superman even the playing field?

Tune in on Friday for the next instalment of this tale!

Tomorrow come back for another of my music compilations.


Monday, January 26, 2015

Works of Everyday Genius -- Page-by-Page Through Superman 176

When you consider that dozens of comic books were published monthly by several comics companies, and that each concern cranked this stuff out eight or ten times a year .... it amazes me that this "product" had so many good stories and art.

I'm not talking the Louvre or the MOMA.  I'm just talking about competent plot assembly, characters that look consistent when drawn from various angles, and (usually) a glimmer of genuine human reaction or motivation.

This kind of "everyday genius," as I call it, is also present in most old buildings that were built more by hand than by machine; in furniture or toys or other items that were well-designed.  A 1962 Chevy Impala or 1968 Ford Galaxie  is a thing of beauty and a joy forever!

So for the next few weeks we're going page-by-page through Superman #176, cover-dated April, 1965.  I would have been about nine and a half years old when it hit the stands in March or late February 1965.

This may have been an instance of a cover scene being concocted  and then assigned to a writer.

Still, even a nine-year-old thinks this is a dirty trick.  Here we have our hero in a jam.  He has come to this court room and was sworn in (we assume) to put some lowlife crook away.  Now here out of left field, the judge is ordering him to reveal his Secret Identity?

OBJECTION, YOUR HONOR!  Relevance?  Superman has been deputized under that name as a law enforcement agent for the entire membership of the United Nations, as well as the Metropolis Police.  Any further explication of his identity is irrelevant to his testimony, and may predicate acts of revenge upon his acquaintances, in the same way that a secret witness's family is endangered when someone in Witness Protection is exposed.

This full-page ad was the inside cover of the mag.  Evidently, children of the 1960s were a lot less likely to swallow tiny magnets.  Other factors include the likelihood of (comparatively) closer supervision by parents or siblings, and the fact that generally, society was expected to conduct itself with COMMON SENSE.  If you deliberately tried to use a consumer item in a damaging way, then instead of a financial windfall through a lawsuit you might be laughed off the playground.  Of course, BB guns could put out an eye or you could break your leg tree climbing; but to deliberately try to get damages from the manufacturer of a fun product?  That's un-American.

"The Revenge of the Super-Pets!"  Comic Vine reports that this story was written by Leo Dorfman.  We can all see that the art is by Superman master Curt Swan, inked by George Klein.

This first of three stories is a morality tale whose main characters are the Super-Pets.  They're going to travel back in time with Superman to check out a one-man wave of animal cruelty.

Clark Kent is covering the reading of a millionaire's will, as his vulturous would-be heirs salivate.

Don't you love the tag at the end of the will, in which Dane leaves these weasels $1 apiece to use in riotous living? 

If you read the indicia at the bottom of the page, you will see that this comic is published eight times a year and that a subscription would cost you 95 cents.  A YEAR OF FREAKIN' COMICS for less than a dollar!  Outstanding!

Of course, that same dollar would probably buy you four gallons of gas or movies and hamburgers for two.

More of this story and this issue on Wednesday, see you then!

Thursday, January 22, 2015

Re-Post and Re-Do: MA-06 - Science-Fiction and Fantasy Music

Originally posted in August 2014, this is a final version of an old concept, the compilation tape.  I basically started over, keeping a few of my original edits, re-doing some, and finding new sources a few generations cleaner for some.

MA-06 - Science-Fiction and Fantasy Music
01. Star Wars Suite - John Williams (12:32)
02. Star Trek TV (edit) - Alexander Courage (1:33)
03. Twilight Zone The Movie Overture - Marius Constant & Jerry Goldsmith (5:55)
04. Indiana Jones and the Temple of Doom - Anything Goes - Cole Porter & John Williams (2:51)
05. Star Trek The Motion Picture (edit) - Jerry Goldsmith (3:27)
06. Doctor Who (1980-1985) - Ron Grainer (2:43)
07. The Prisoner - Ron Grainer (4:13)
08. The Wild, Wild West (2nd Season edit) - Richard Markowitz (1:39)
09. The Martian Chronicles - Stanley Myers (2:04)
10. Tales of the Gold Monkey (edit - Mike Post & Pete Carpenter (1:18)
11. Buck Rogers in the 25th Century (edit) - Stu Phillips (1:12)
12. Star Trek II and III Suite - James Horner (15:56)
13. Scarecrow & Mrs King - Arthur B Rubinstein (1:13)
14. Alien End Titles - Howard Hanson (2:51)
15. Return of the Man from U.N.C.L.E. - Jerry Goldsmith & Gerald Fried (1:19)
16. Battlestar Galactica - Stu Phillips - Eric Kunzel & Cincinnati Pops (3:31)
17. The Greatest American Hero - Mike Post & Stephen Geyer (1:47)
18. The Day the Earth Stood Still - Bernard Herrmann (1:48)
19. Themes from ET - John Williams & Walter Murphy (3:47)

            The first “mass media melody” that I remember trying to play on our family’s old upright piano was the bass riff used for The Man from U.N.C.L.E.’s second season (Gerald Fried’s hip l 4/4 rearrangement of Jerry Goldsmith’s theme for bongos and flute).
            When gifted with a “cassette-corder” in the mid 1960s, I began holding that little condenser mike up to the TV speaker, recording this and that and whole Star Trek episodes.
            After marriage and a more settled life, I began having fun with the ol’ PAUSE button on my cassette deck.
            You see, once upon a tech-time, the PAUSE button for a cassette deck actually locked the physical parts, including holding the magnetic tape right up against the PLAY/RECORD heads.  A deft touch could stop and start a recording, sometimes nearly without detection, even if you were patching together different sounds into an aural Frankenstein creation.
            So along with collecting the themes for my favorite TVs and movies, I started playing with them too.
            By the early 1980s I had enough to fill a C-90 cassette.  This here beast is a CD recreation, with some edits left alone (you can tell by the tape/TV hiss) and some re-cobbled.  Some selections are of course as issued, just clumped together because I like the show!
Time Trippin'!


Monday, January 19, 2015

Available on the Bookshelves of the Invisible College

Here are some more of the tomes on intriguing subjects I have accumulated over the years.

The work of Loren Coleman  always gives you fascinatin' full value when you're wanting to learn about reports of odd animals or sightings of UFOs or other oddities.

This book (available in a 2007 edition) is a fascinatin' rhythm of tales from people who crossed paths with lights in the sky or critters in the woods.


The Orion Mystery  is one of a slew of books noting the similarities between the Great Pyramid field of Giza with the stars in Orion's Belt in the heavens.  Like the pile of mashed potatoes in Closet Cases of the Nerd Kind, this means something!

Mysterious, yes.  Beautiful in its photos of lonely stoned marking otherwise desolate hillsides, yes yes yes.  More signs left behind as proof that these constructions were intentional and well planned, even if we can;t figure out the message!

Another in the gosh-wow school... maybe it was aliens, maybe an earlier lost civilization.  Maybe your Auntie June piled up her laundry.

This last book is a series of essays on topics such as precognition tests, whether plants like rock music, the detectability of auras, and so on.  Usually the pattern is, "People say something weird is happening.  We tried to quantify this weirdness but nothing happened while we were watching.  Therefore it's not scientific.  But who knows what might happen next time?"

I don't know what will happen next time, either.  Check back and see!

Thursday, January 15, 2015

Quick, Henry, the Flit! - MA-26 - Break -Ins from Beyond

The title of this post is a joking reference to an ad campaign for Flit insecticide.  Did you know that Doctor Seuss did some ads for this product campaign, early in his career?

Anyway, the topic of today's compilation is invaders from space.  We're gonna need a bigger aerosol of Flit! (or fly-swatter).

Most of these records are formatted as break-ins.  Dickie Goodman was an early instigator.

Here's the list:

1 -    Marty on the Planet Mars Part 1   Martty  1954
2 -    Marty on the Planet Mars Part 2   Martty  1954
3 -    Santa and the Satellite Part 1  Buchanan and Goodman       1957
4 - Santa and the Satellite Part 2  Buchanan and Goodman 1957
5 - Destination Love Jan Davis 1958
6 - The Outer Space Looters Part 1 The Mad Martians 1958
7 - The Outer Space Looters Part 2 The Mad Martians 1958
8 - Flying Saucer the 3rd Buchanan and Goodman 1959
9 - Blast Off! Jimmie Haskell and His Orchestra 1959
10 - Comic Strip Rock N Roll   Robert Ashley 1959
11 - Space Ship Dickie Goodman 1960
12 - Santa and the Touchables Dickie Goodman 1961
13 - Moon Gas Dick Hyman and Mary Mayo 1963
14 - The Flying Saucer Chickenman 1966
15 - Luna Trip Dickie Goodman 1969
16 - London, London Ceatano Veloso 1971
17 - Spaceship Spontaneous Combustion 1973
18 - Calling Occupants of Interplanetary Craft Klaatu 1976
19 - Hey ET Dicklie Goodman 1982
20 - The Martian Boogie Brownsville Station 1977
21 - The Ballad of William Robinson Bill Mumy 1997
22 - Return of the Flying Saucer Jon Goodman 1997
23 - I Took A Trip on a Gemini Spaceship David Bowie 2002
24 - UFO Darryl Rhoades 2005
25 - le flying saucer hat Chairlift 2008
26 - Flying Saucers Breakfast in Fur 2009

See you in orbit, Torbett!

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© by Mark Alfred