Observation for Now

Ours is the only country deliberately founded upon a good
idea.


--John Gunther



Coming in October

Coming in October

Friday, November 03, 2006

Superman Vitamins, An Idea Whose Time has Came and Went

Here we have some of the Superman Vitamins promised yesterday. We have boxes and bottles, that is. Not the vitamins themselves.

If you still had a few of these, they would be 20 years old! If you munched 'em, you might find yourself eroding, like Rudy the Parasite in the one-shot "The Pernicious Parasite" Filmation Superman cartoon from the 1960s. In that tale, Superman figures out that the way to handle the Parasite is to let him get his fill of Super-energy, whereupon the Parasite...explodes!


Commments the Man of Steel, "He forgot that the body of a human could not contain the energy of a man from Krypton!"

Thursday, November 02, 2006

Paper Ephemera


This is a fancy term for things that were designed to be of transient interest, and then discarded. Used to be, this applied to comics books too. Not any more!

However, other examples are promo advertising things like the things pictured here. The Wolfman Sticker came with Doritos, and is from roughly 1990.

The Superman III stickers from Ziploc are from 1982. As you can tell, these are not from that film at all, they are simply more poses of Reeve taken to promote the first Superman movie.


Tomorrow! Superman Vitamins Ahoy!

Wednesday, November 01, 2006

Curt Swan Gave Us the Finger(s)


Well, figuratively!

One of the trademarks of this great Super-Artist’s work was his occasionally quirky method of drawing characters’ hands with the middle finger and ring finger touching, and the index finger and pinky finger separated from this grouped pair.

The top three rows are from covers drawn in the 1960s.

The bottom three examples are from later on. Even though Curt had died earlier in the year, 1996’s Superman: The Wedding Album still was able to print some of his art, drawn from an earlier, unprinted tale. It was printed in the Wedding Album as a flashback. In this way Curt’s great artwork was able to appear in this landmark in comics history.

Speaking of landmarks in comics, the last two examples are from the Alan Moore tale printed in 1986, “Whatever Happened to the Man of Tomorrow?” which was printed in the “final” issues of Superman and Action. Alan Moore’s deep, resonating-with-history story was perfectly accompanied by Curt’s penciling, inked by George Perez in Superman 423 and by Kurt Schaffenberger in Action 583. The covers were both inked by another DC great, Murphy Anderson.
Ah, when the arts of adulthood are thus applied to memories from childhood, great and moving, even inspiring pieces of art can be created, and absorbed, by the young in spirit.

Tuesday, October 31, 2006

Growing Up with Halloween

AT LAST IT CAME. The gang had been waiting since the first of September, as the air turned chill for the first time, and mothers had joked that it would snow any day now, and the trees’ summer whispers had become autumn whistles, and the leaves were not quite green any more, and the sun had begun to come in through the school windows that faced south.

At last it came. They had been ready long before the grocery store had set out the pumpkins; and before the ten-cent store had stocked the masks, noisemakers, and little peanut-butter taffy twists wrapped in black and orange paper; and before the teachers had put up the bulletin board with black cats and jointed paper skeletons. At last it came.

Halloween.

Tommy sat at the supper table impatiently. The sun had not yet gone down; but it didn’t look as bright outside as it had a moment ago. The trees cast darker shadows. He squirmed a bit in his chair and kept his eyes on the window.
Mr. Gregson smiled as he seated himself across from Tommy. He said, “Don’t worry, Tommy. We’ll be through eating before it gets dark.”

“But, Dad,” Tommy exclaimed fervently, “I’ve got to get ready. And Mitchell and John Eric will be over in only fifteen minutes!”

“You’ll have plenty of time,” his father reassured him, “you’ll see.”

It was nothing short of torture to sit still through supper. More than once Tommy suspected his mother or father of spooning out more macaroni onto his plate when his head was turned looking fretfully out the window. But he survived the meal somehow, blurted “Excuse me, please,” and dashed for his room.

He threw himself onto the floor, stretched under his bed, and pulled out the much-wrinkled grocery sack that held his Gypsy costume. He dumped its contents unceremoniously onto the floor and rummaged through them. Eyepatch, torn pants, bright purple-dyed shirt, overvest, shoes from his dad half-packed with newspapers, rubber knife, a false moustache: It was all here.

Tommy put it all on, except for the eyepatch. He headed back down the hall to the living room and through it to the kitchen where his parents were cleaning up the dishes.

“Which eye should I cover up, Mom?”

“Just a second, dear,” Mrs. Gregson replied. “Oh -- Glenn, could you help Tommy?”

Mr. Gregson turned from putting up the plates, closed the cupboard door, and squatted down, wiping his hands on his towel. “Wow, you look good!” he said.
Then, “Let’s figure it out. Where’s your knife, Tom?”

“Here,” replied Tommy, pulling it from his belt. He offered it to his father.

“No, you hold on to it,” responded Mr. Gregson. He placed his hands on Tommy’s shoulders and gave his son a half-turn so that the boy faced the table at the other end of the kitchen. Dad pointed to one chair, still pushed back from the table. “Now, see that chair?” Tommy nodded. “Now just imagine,” Dad continued, “that that chair is a man who says you’re not the best violin-playin’ Gypsy that ever lived. So, you pull out your rubber knife and get ready to throw. Aim, aim carefully,” Dad half-whispered with his eyes on Tommy’s face, “and throw!”

Tommy threw, from the shoulder. The knife passed between two slats in the chair back, its rubber hilt striking the wall with a clear thwack! sound, and fell to the floor.

“Got him in the ribs,” Mr. Gregson commented.

“Glenn!” exclaimed Mom, properly disapproving.

“It’s all right, Suzanne. He missed the window by at least six inches.” Dad turned to make sure she knew he was joshing her. They exchanged a smile. He bent back down to Tommy and said, “Go get it and come on back.” The boy did. “Now do it again, but just aim, don’t throw it.” Tommy complied. “There,” said his father, “what are you doing right now?”

“Well, my hand’s in the air, I’m squinting my -- no, I’ve got -- my left eye’s closed!”

“Then,” summed up Dad, “that’s the eye you can cover up. You aim with your right eye, so you need it more, yes?”

“Yeah! Thanks, Dad!” Tommy turned to his mother. “Now, Mom, you said I could use some of your old pancake stuff --”

“Yes,” said Mom. “How dark a Gypsy do you want to be?”

“So no one can guess who I am!”

+ + + + + +

It was six o’clock. The dusk was growing deeper. Tommy sat on the couch, impatiently drumming his hands on the cushions, watching alternately the clock on the living-room wall and the window, through which he saw grey trees shaking their arms in the wind. His parents were sitting together in the big double rocker. His dad was reading the doubled-over newspaper and trying not to stick it into Mom’s face, while she looked through the TV Guide.

“And now, until the late news, have a good evening -- and a safe and Happy Halloween.”

The doorbell rang.

Tommy sprang up and ran to the door, yanking it open.

On the porch stood two figures, one taller and the other about the same size as Tommy. The taller was Count Dracula, replete with painted widow’s peak, pale skin, black cape, and sharp teeth. The other was in a Frankenstein’s Monster costume from Kresge’s.

The duo chorused, “Trick or treat!”

“Come on in, you guys, I’m just about ready.” Tommy held the door open for them, ushered them into the living room, and left them there as he headed for the bathroom.

“Hello, boys.” Mr Gregson smiled at them from the double rocker. “Let’s see. You’re John Eric,” he said, pointing to tall Dracula, and you’re Mitchell,” he said to short Frankenstein.

The monster giggled. “Nope, we fooled you,” said Dracula. “I’m Mitchell. He’s John Eric.”

“Really?” Tommy’s father scratched his head in puzzlement. “You hear that, Suzanne? I would’ve sworn ­--” and then he winked at Tommy’s mother.

At this point the bathroom door slammed open and Tommy emerged. “Ready to go?” he asked the pair.

“Yeah. G’night, Mr. and Mrs. Gregson.”

“Goodnight, boys.”

“See you later.”

Dad walked with them to the front door. “See you later, son. Don’t be out too late, and be careful.”

“Yeah, Dad.”

And they were gone. Mr. Gregson let the screen door close and flipped on the porch light.

Dracula, Vordak the Gypsy, and Frankenstein’s Monster turned right and began working their way down the hill in the early night darkness. There was just enough of a breeze to catch their empty Trick-or-Treat bags and billow them open behind them like parachutes. They ran to the first house down from the Gregsons’, the Rices’. Tommy-Vordak pressed the lighted doorbell twice.

The door opened, and before Mrs. Rice had appeared from behind it, the three called out, “Trick or Treat!”

“Hello! Hello! Just a minute!” Mrs. Rice turned and picked up a wicker basket from somewhere out of Tommy’s sight. She opened the screen door, held it open with her left hip, and dropped one white popcorn ball into each eagerly outstretched sack.

“Thanks! G’night!” the three boys called over their shoulders, already following the trail of more candy treasures, already hurrying down the driveway and down the slope to the Abrahamson’s house.

Just as they were leaving the Abrahamson’s porch a minute later, haloed by the porchlight over their shoulders, they met two more souls. One was in a plastic step-in astronaut’s costume; the other was a fairy princess; both were in Tommy’s class at school.

“Hi, Stevie,” said Mitchell-Dracula.

“Hi, Mitchell,” replied the astronaut.

“Hi, Tommy,” ventured the fairy princess.

“Oh -- hi, Jennifer,” responded Tommy-Vordak. Sheesh, why did she single him out to say hi to? Even if Stevie was her brother, she was a girl.

“Where ya been?” asked Stevie.

“Oh, we just started up at Tommy’s house,” answered Mitchell-Dracula.

“I got a popcorn ball,” asserted John-Eric Frankenstein proudly, holding open his sack. C’mon kid, grow up! Tommy thought, then felt pride that he and Mitchell were adult enough to put up with the little kid.

“That’s nice, John-Eric,” Stevie answered with similar indulgence. See you guys later!” He and Jennifer headed up the Abrahamson’s porch. Gee, Stevie was always a good sport about being stuck doing things with his twin sister. But, sheesh, now she’s --

“Bye, Tommy,” called Jennifer, singling him out for her attention.

“Bye, see ya later, g’night!”

The trio continued down the hill. They had just left the Dornmans’ house at the foot of the hill and were beginning to cross the street back uphill the other side when they were confronted with the bane of any nine-year-old’s existence: the big kids.

Dan Berry was a pirate with a black beard and big black boots. Gary Andrews was a clown with a red rubber nose and a greasepaint frown. Freddie Spencer was a Martian with green skin and wire antennae. Jimmy Trent was a bent-over hunchback with a pillow hump and mascara scars. They were all 12, except Dan was 13, and sometimes wore their ages like a license to kill.

“Arr, avast there, maties!” Dan spread his arms and his three companions stopped with him.

“Ahoy, maties! Who be ye?” he called to Dracula, Frankenstein’s monster, and Vordak the Gypsy.

“Hello, Dan,” said Mitchell. “Gee, you guys look neat.” This was a safe thing to say.

“Sure’n don’t we now? We’ve planned many a long week for this night, right me lads?”

Somehow, on this night of nights it did not seem at all out of place to see a clown, a Martian, and a hunchback raise their arms in salute and cry together, “Aye, Captain!”

“Well,” growled the placated captain, “ye’d best be behavin’ yerselfs tonight, or else ye’ll hear from Cap’n Kidd -- and ye’ll walk the plank! D’ you hear me, lads?” he snarled, leaning over towards the three younger friends.

Tommy wasn’t sure how much Dan was joking, or if he was. Ever since September, when he’d gone to junior high, Dan had been acting all grown up and only noticed the others with disdain.

Tommy looked at Mitchell, who was also unsure of what to do next. They nodded and said, more or less together, “Aye, aye, sir!”

“Good lads!” responded Cap’n Kidd. “Well, mates, let’s shove off!” The quartet headed on past them, and vanished into the shadows under the trees.

Monday, October 30, 2006

Trick or Treat!

Have I got a long-suffering, wonderful family, or what!

This is a NEWSpaper, Vincenzo! We print NEWS!!!!

Ah, yes. Carl Kolchak, iconoclast supreme.
I first met him on ABC-TV, on January 11, 1972. The Night Stalker was an ABC Movie of the Week, which were shown every Tuesday night. These were the original made-for-TV movies.
Doubtless after a week of heavy promotion, The Night Stalker aired. I wasn't the only adolescent who wanted to watch a movie about vampires on TV: after the ratings came in, The Night Stalker had posted as the Number One rated TV-movie of all time.
I next met ol' Kolchak through TAB, the Teen Age Book club, a month or so later. I saw that title in the catalog, and knew I had to have it. I also ordered the second "official" Kolkchak book, The Night Strangler, which promptly showed up as an ABC Movie of the Week about a year afer the first one.
The Night Strangler's January 16, 1973 showing was just as cool as the original's, with the added character roles played by Wally Cox (aka Underdog) and John Carradine (Dracula in House of Frankenstein, and loads of other horror roles) making it more fun.
As you can guess, these are the front and back covers of those paperbacks. You sure can't entice an adolescent male any better than with the salacious blurb on the back cover of Strangler: "A Belly Dance of Death." Hmmm.
Check back tomorrow, kiddies, on Halloween itself, where a piece of fictional prose will attempt to depict for you the magic of Trick-or-Treats and fun, safe, American Halloween in the 60s. 1960s that is.

Sunday, October 29, 2006

Scary Monster from the Past


Anybody remember having to read Beowulf in English class? For some of us, it wasn't a *groan* chore. We saw behind the forced reading to find the adventure.

Dude, Beowulf went swimming with sea monsters! As an old fart, he killed a dragon! And in the main part of this poem, he plays dead while a giant bigfoot-type monster (named Grendel) prowls through the room, and then jumps up and wrestles the beast, yanking its arm out of the socket! Then he follows the trail of blood underwater to the hellhole Grendel came from, and fights the critter's even meaner mom!
First is the paperback cover of John Gardner's Grendel, which tells the Beowulf tale (part anyway) from the monster's point of view, in first person.
It made a big impression on me in high school, as evidenced by this relic from the past -- a version of the cover that I drew in 11th-grade art class.
See you tomorrow in our countdown to Halloween with some characters created by Jeff Rice (that's a hint) that were an inspoiration for a TV show last season (another hint).
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