Amazon's "suggestions" algorithms sometimes leave me bemused.
Do you think they are trying too hard? Maybe it makes a strange kind of sense....
You see, a year or two I added Fallout Shelter: Designing for Civil Defense in the Cold War (Architecture, Landscape and Amer Culture), by David Monteyne, to my Amazon "wish list." This is not because I want to build a hideout, but because this volume looks like a cornucopia of Cold War and "retro" visuals. Thes kind of graphics that I love.
I guess it's a case of misunderstood intentions. If I truly wanted to build a shelter, then I might also be interested in buying all of these first aid supplies. After all, a Doomsday Prepper would want his First Aid Kit stocked, yes? With skin staples? OUCH!
Not me, I just like to look at the pictures.
Thursday, February 28, 2013
Tuesday, February 26, 2013
Book Review -- Enemy of the Truth by Sherry Fiester
Sherry Fiester is a forensics expert who has turned her attention to the known facts in the murder of President Kennedy. I was honored and pleased when she asked me to read and review her book. Here's that review....
Enemy
of the Truth is a fascinating look at some of the “myths,” or perceived
truths, about the assassination of President John Kennedy. To the extent that “myths” – untruths – are held
or believed by society at large, these fallacies are “Enemies of the
Truth.” The book’s subtitle tells you
Sherry Fiester’s emphasis – a forensic look at the crime.
The
eight main chapters examine some of these “myths” and pretty much wipe ’em out. Fiester’s style may come across in places as
dry or dispassionate, but that’s to be expected when you’re reading about
technical stuff like parts of the human skull and bullet fragmentation. The actual subject matter will hold your
attention without the need for chatty narration.
The
first chapter examines the mistaken idea that the Dallas, TX police followed
correct procedures in investigating the shooting of the President. Compared to today’s standards such as digital
photography and DNA sampling, many of what the DPD should have done, according
to their own rules, seems pretty basic and straightforward. But even basic protocols were flubbed or
ignored, such as a complete photographic and drawn-to-scale survey of the Book
Depository’s sixth floor. Even the
so-called “sniper’s nest” and the rifle, when discovered, were not documented in
situ before they were moved.
Fiester
quotes extensively from the textbook protocols that in 1963 were required for a
professional and legally valid crime scene investigation. And in nearly every way, the behavior of the
investigators falls short. Everything
from the bullet casings (not photographed or marked to preserve
chain-of-evidence) to boxes by the window (moved and arranged several times by
ungloved hands) demonstrates a cascade of failures.
Now,
in this chapter Fiester lets pass two of the things I've always harped on. The first report of a rifle’s discovery on
the sixth floor described a Mauser, not the Mannlicher-Carcano which supposedly
belonged to Oswald. Does this mean that
there was a rifle switch-out? Also, in
her discussion of the “paper bag” that Oswald supposedly used to smuggle the
rifle into the building, she doesn't mention the well-documented fact that the
rifle and bag were too long to have been carried between Oswald’s palm and
armpit, as Warren Commissioners would have us believe.
Chapter
Two describes the science and research behind sound localization, and
demonstrates how easy it is for somebody to misplace the source of a
sound. You may honestly think that a
sound came from such-and-such a place – but several factors may act, singly or
in combination, to mislead your ears.
Examples are: your location
within a certain landscape; your distance from the sound; any refractive
surfaces; and even the position of your head.
All can influence your perceptions.
The
next chapter discusses the controversies surrounding a single frame of the
Zapruder film, Z313, which depicts a red cloud or mist in front of JFK’s
forehead. This scarlet fog appears ONLY in this one frame, and a few researchers have
held that this crimson haze appears and then vanishes much too quickly to be an
actual event caught by the camera. At
least one book cites this cloud as “proof” that the Zapruder film has been altered.
But
Fiester explains the facts behind a phenomenon called “backspatter,” about
which she knows as part of her expertise in forensics. The red flicker seen on frame Z313 is an
absolutely accurate depiction of backspatter, and what forensically you SHOULD
EXPECT TO SEE following a shot to the front of the head. Backspatter appears and dissipates in an
amount of time much briefer than a single Zapruder frame, and that’s why we see
it in mid-dissipation for only one frame.
It’s not a red blotch that was painted onto the film by forgers, as some
have said. It’s what is to be expected
as the result of a front headshot.
Chapter
Four talks about some witnesses’ claims that the President’s car slowed to a
crawl or stopped outright (perhaps to make it easier for an assassin to aim and
fire). This idea can be laid to rest
with some of the reasons explained by Fiester in this chapter. She explains some of the research behind the
mind’s perception of time and how, in crisis situations, the passage of time
can be felt to speed up or conversely “stand still,” despite the objective
passing of seconds, minutes, and hours.
Furthermore, none of the extant films depicting Dealey Plaza show a car
stop, or give any indication of having a car stop edited out. There are multiple video sources for various
parts of this crime.
The
next chapter dissects the myth, held by some since the day of the murder, that
“Ballistics Prove One Shooter.” Fiester
lays out some of the many problems facing somebody who wants to believe such a
thing – because science dispels the possibility. Examinations of various recovered bullet
fragments and casings don’t show them to have been fired from the same gun – or
even the same KIND of gun. Not even Neutron
Activation Analysis can match some of the fragments with each other or with the
nearly-whole bullet that supposedly passed through JFK and Governor
Connally. These inconclusive test
results were withheld from the Warren Commissioners at the time.
The
sixth chapter really rumbled my cage when it disallowed the Grassy Knoll as the
location of a shooter. Like many folks
who believe that this murder wasn’t undertaken by one man in the TSBD, I’ve
agreed with the various eye- and ear-witnesses that something was going on
behind the wooden fence atop the Grassy Knoll.
But Fiester first determines the location of JFK’s head in relation to
the limousine and thus the street and Plaza.
Working from there, she examines the locations of JFK’s wounds – all on
the right side of his head – and points out that a shot from the right would
have exited on the left. But the left
side of the President’s head, according to doctors and witnesses, was
undamaged. The fence atop the knoll was
almost perpendicular to the President, and therefore could not have been the
origin point for the fatal headshot. A
more likely location, as indicated by the wounds, would be the triple overpass
on the opposite side of Dealey Plaza from the infamous Knoll.
Grassy-Knollers
like me can always believe that a shooter was back there, but that he missed!
Next
Fiester tells me something else that I didn’t know – that the concept of
deducing bullet trajectory by examining the beveling (angle of chipping) in the
bone is an outdated idea that has been shown not to be accurate. Being a ballistics expert, she should
know! Evidently there have been so many
instances where the beveling angle does not match with known circumstances that
the whole doctrine of trajectory-by-beveling has been discarded. There have even been times when inner and
outer beveling has been encountered in the same wound!
In
presenting her case against the Grassy Knoll and for the Triple Overpass area,
Fiester jogged my memory and I flipped back to Chapter Two, in which she
described the unreliability of sound location by “ear witnesses.” However, here in Chapter Six, she quotes
several people who reported hearing shots that seemed to come from the Overpass
area. The effectiveness of this
testimony is somewhat diluted when you remember how in Chapter Two the author
showed how unreliable “ear witness” testimony can be.
Chapter
Seven talks about the common belief that there were two headshots, based on the
observation from the Zapruder film that JFK’s head moves slightly forward just
before jerking rapidly backward from the final bullet strike. Such a movement seems contrary to common
sense, but our forensics expert explains once again, that such a thing is
actually to be expected. Fiester quotes
several sources, ending up with the statement that “the forward movement of
Kennedy’s head followed by a rearward movement is consistent with a single
gunshot to the head from the front.” So,
the Zapruder film shows just what a forensic examination expects it to
show: a tiny forward motion and an
almost instantly dispersing backspatter.
The
final myth, Chapter Eight, “The Single Bullet Theory,” is to me a nearly
slam-dunk of a topic. But then, I’m one
of those “assassination nuts” with several dozen books in my library on the
topic. Some folks reading this book
might not know the doubtful origins of the “Magic Bullet,” Commission Exhibit
399. Or that the bullet fragments
removed from John Connally’s body weigh more than the amount missing from the
bullet. Or that the bullet now known as
CE399 was found in Parkland Hospital, on a stretcher known NOT to have been
occupied by Connally.
Anybody
who looks even a half-inch into this matter can see the unbelievability of
Senator Arlen Specter’s half-baked suggestion, “The Single Bullet Theory,”
which was introduced after the Commission found that Oswald’s rifle couldn’t
fire fast enough to have launched all of the bullets then known to have been
fired in Dealey Plaza. Just looking at
photos of the President’s shirt and suit jacket shows that the bullet hit him
in the back, towards the bottom of his right shoulder blade, and not in the
back of the neck, as required by the Single-Bullet Theory.
Fiester
then proceeds to decimate the “official” autopsy report for sloppiness and the
changes made to it. Connally’s wounds
are also enumerated, raising the possibility that his injuries alone might
require the action of more than one bullet.
And
it’s pretty sad to realize that various FBI and other investigators could not
even identify the bullet now known as CE399 as the bullet originally found at
Parkland Hospital.
Now,
the final part of the book, a section called “The Witnesses,” is for me a
delightful change-of-pace. In this
section Fiester tells of her meetings and interviews with various witnesses in
the JFK murder case. Unlike the rest of
the book, the writing here is not scientific and clinical; it’s warm and
engaging and sympathetic – a great way to balance the hard science in the
earlier chapters.
I
really enjoyed this section because Fiester is able to take off the analytical
scientist’s hat and talk to these folks as people. It’s refreshing to end the book with a
feeling for the personalities of the witnesses:
Marina Oswald; Bill Newman; Bobby Hargis; Robert Frazier; Beverly
Oliver; and Aubrey Rike.
Through
these personal encounters we get a more intimate feel for Fiester herself, her
empathy for the witnesses’ pain, and her frustration in confronting an
unresolved call to justice.
All
told, Enemy of the Truth told me plenty of things I didn't know about
the murder of JFK – and that surprised me!
This book is proof that not all of the questions about JFK’s death have
been answered. Some of the right
questions haven’t even been asked! But Enemy
of the Truth does a fine job of shattering some of the myths that have
stood in the way.
You can buy Sherry's fine book at her website.
Friday, February 22, 2013
Rorschach: The Early Years
I don't know if it's good news or bad news to inform you that this Rorschach-in-training is not my child, but MY GRANDKID.
Ordinarily Araya Sunshine is a normal little two-year-old who enjoys playing with blocks or, along with her cousin, exploting new avenues of mass transit.
But in times of trouble, the gloves go on, and a new persona takes over....
You don't want to make her angy.
Ordinarily Araya Sunshine is a normal little two-year-old who enjoys playing with blocks or, along with her cousin, exploting new avenues of mass transit.
But in times of trouble, the gloves go on, and a new persona takes over....
You don't want to make her angy.
Labels:
My Things,
News and Observations,
Other Super Stuff
Monday, February 18, 2013
Part the First
In 1967 I was eleven years old and
a dyed-in-the-wool DC Comics kid. One of
the dozens of comics kicking around our house at the time was Action #350, with
this stupendous cover by Curt Swan.
Looking back on this cover now, I
notice that the writer of this cover’s blurb was playing a little fast and
loose with history, since according to knowledge of the time cave men were
around tens or hundreds of thousands of years ago, but not a megaannum (look it up) ago! The “lived and died a million years ago” is a
little bit of an exaggeration.
Now, I know that Boring is considered a great
Superman artist -- I personally LOVE the way he portrays the lovely ladies of
DC -- but in my opinion Boring’s art is wa-a-a-y, t-o-o, cartoony. Compare Curt Swan’s depiction of the skull to
Boring’s:
Anyway, I remember this comic specifically because of an
argument it sparked between me and my sister Sue, who would have been 17 at the
time.
Until next time, don't forget to watch The Rat Patrol on ABC on Monday nights!
Thursday, February 14, 2013
Monday, February 11, 2013
Some Black History Month Comic-Book Notes -- Part 2
Superman: The Man of Steel # 47, August, 1995
(All quotations and art
copyright © DC Comics)
This
story features a lengthy flashback sequence involving Daily Planet editor
Perry White and Planet owner
Franklin Stern, in their younger days.
You already know what color White is (duh) — Stern is black.
The
events in the flashback take place in (probably) the 1950s, in a town called
Melonville (as in watermelons?), in an unspecified Southern U.S. state. Crosses are being burned, people are being
killed and kidnapped.
When
he meets Stern for the first time, White says, “I may be a reporter from up
north, but the truth is my job … and I’m telling you, the entire white race
isn’t responsible for these murders!”
To
which civil-rights activist Stern replies, “The whites enslaved my people! They denied us voting rights … schooling …
equal opportunities —!”
Soon
they find that a red-hooded, red-robed group called the Aryan Brotherhood is
behind it all. White’s Planet
contacts uncover an “abandoned” iron mine, where the pair find an Aryan
Brotherhood training camp, along with a genetics lab with files going back to
Nazi Germany — and a meat locker where the bodies of more than a dozen black
and white human corpses dangle.
After
a wild escape with the files -- proof of the nefarious goings-on --, Stern and
White call in the Feds, who clean up the mess and cart the evil ones (including
the town sheriff) off to face justice.
This
incident steels Stern’s resolve to take Harvard Business School up on their
grant to get his doctorate. White, we
all know, went on to become Planet editor, where he again encountered
Stern. And they both continued their
quests for justice, with Stern using wealth as his road to power — the power to
make a difference for the better.
A
final angle on this issue is that the flashback is introduced by Keith White,
whom Perry and Alice White adopted when his mom was killed. It doesn’t matter to them that Keith is black
and they are — well, White. Or to Keith,
either. Or to me.
Supergirl # 23, July, 1998
The
title of this tale is “Double-Edged Sword”; it’s written by Peter David (yes,
the same guy who cranks out a TREK novel every other weekend) and penciled by
Leonard Kirk. It’s up to you to decide
on the sword of the title. I would say
that the phrase describes truth, and freedom of expression.
The
story opens with a sign-carrying demonstration against an upcoming speech by
the controversial Taylor Landers at Stanhope University. In an interview with Cutter Sharp one of
Supergirl/Linda’s friends/supporting cast, Landers says, “My research indicates
that, quite simply, the black population of this country stands to be the
ultimate ruination of it,” because of
“the lowering of quality in the workplace due to Affirmative Action, the
rewards granted via welfare for the uncontrolled birthing of children who will
be poorly educated and a drain on resources, …” and so on.
Not
surprisingly, there’s also a protest at the speech site. Superhero Steel (a black scientist in an
armored technosuit) shows up. “I believe
in the First Amendment,” he tells the crowd.
“But even the First Amendment is not absolute. There are limits where it presents a danger
to the health and well-being of the populace.
“I
know this man, this Dr. Taylor Landers, Sociologist and Anthropologist. I know the poison he speaks. In his words, in his actions, he slanders an
entire race of people.”
Talking
with Linda Lee Danvers (Supergirl’s Secret Identity), Cutter tells her of a
march in Skokie, Illinois, where the ACLU stood up for a Nazi group’s right to
march in a Jewish neighborhood. Cutter
says (wisely, I would say), “The cost of my freedom to talk up — I dunno,
Israel — is Nazis having the right to spew their attitudes. Don’t you get it? The moment anybody is shut up, everybody’s
at risk.” A smart guy, eh?
When
Landers shows up for his speech and Steel tries to stop it, Supergirl says that
even hate speech is protected speech. “I
fight for ideas, Steel,” she says.
“Who’s going to decide which ideas get spoken? You?
Me? And what will happen when people
don’t say what’s on their
minds?”
They
are distracted when the Student Union is bombed. In the mêlée, Landers, “the bigot,” saves a
black cop from a fiery death.
The
final page, a postscript of sorts, contains a conversation wherein we discover
that a future Stanhope speaker will be Dr. Muhammad Santos — variously called
“one of the foremost thinkers of the nation of Islam, a major proponent of
Black Pride,” — and “a noted anti-Semite.”
The point
being, free speech must be allowed, whether you agree with it or not!
However,
true pride in yourself must come from your own unique qualities and
achievements — not from your membership in any
group and its supposed superiority to any other group and its
members!
Editorial
time here: It doesn’t matter if
Cleopatra or Jesus or Moses were black or white. What matters is the human achievement behind
the pyramids. What matters is that Moses
led his (whatever color) people out of slavery.
What matters is that Jesus was born and died for everybody, bigots and
saints alike. As He said in the book of
Mark, it’s not the healthy people who need a doctor. It’s sickies like you and me. (End of sermon)
Well,
this was a brief survey of a few comic-book tales concerning black-white
relations and problems thereof. I only remembered these few issues off the top
of my head. Remember, the fact that we
are alive, and human, is more demanding of friendship and assistance than any imagined differences!
Labels:
In Comic Books,
News and Observations
Sunday, February 03, 2013
Some Black History Month Comic-Book Notes -- Part 1
In my
collection of a thousand or so comic books, I was able to pull out a few for
comment. They are all DC, sorry. I can’t comment on how with-it Marvel might
have been.
Think a little more about the first panel. As somebody (probably Larry Niven) said,
Superman is another species, from another planet. What are the odds that he would want to mate
with ANYTHING ON EARTH? Surely skin
color wouldn’t matter at all.
(See you next Monday with the rest of this ripped-from-the-comic-books- article.)
I can
only guess, but perhaps a black comics fan might feel about DC’s attempts to
treat black issues, in his most charitable moments, kind of the way a teenager
thinks of his parents’ attempts to be hip:
Lame, but we can only assume their intentions were good.
Amazing
Heroes #159 (February, 1989) featured a guest editorial, “Growing Up
Black Reading Comics,” by writer and artist Keith Brown. In his reminiscences he talks about buying
issues featuring the Black Panther, later called the Panther, after the radical
civil-rights group added unwelcome connotations to the original name.
And
then came Luke Cage, Hero for Hire. To Brown, Cage seemed not very heroic (since
when do heroes get paid to do the right thing?) — plus, he had the same
origin as every other black character Brown remembers: He was a street punk from the Hood.
Brown’s
favorite black character seemed to be the X-Men’s Storm. A big part of this is that she is an
interesting character, “with dignity and intelligence, femininity and
strength.” In other words, her race is
not made a big deal of either way — it is simply a facet of her total being.
(And
I have no idea if this is true of Storm today.)
Green Arrow #76, April, 1970
In
1992, DC reprinted a series of “Silver Age Classics.” One of them, the April 1970 issue of Green
Lantern (co-starring Green Arrow), contained the tale “No Evil Shall
Escape My Sight,” written by Denny O’Neil, with art by Neal Adams. In it, Green Lantern Hal Jordan is prodded by
his JLA partner Green Arrow (Oliver Queen) to bring his quest for justice out
of space and down to Earth. A famous
sequence features a black man asking Jordan, “I been readin’ about you ... how
you work for the BLUE SKINS ... and how on a planet someplace you helped out
the ORANGE SKINS ... And you done considerable for the PURPLE SKINS! Only there’s skins you never bothered with —
! ... The BLACK SKINS! I want to know ... How come?”
This
confrontation takes place on the roof of a rundown tenement-type of
building. The superheroes had become
involved when GL (Green Lantern) stopped a bunch of neighborhood residents from beating up on a rich fat white
guy. After being prodded by the more
with-it Green Arrow to investigate, GL finds out the fat white guy is a
slumlord looking to sell the rat-infested, falling-apart building out from
under its tenants to build a parking lot or something. Together, GA & GL get the goods on the
guy, and the mostly black residents get to keep their homes, which are better
than being turned out onto the street (though maybe not by much!).
To
investigate the dirty tycoon Slade, GL had neglected an assignment in outer
space given him by the Guardians, the galactic wise men, the “blue skins”
mentioned above. When they call him onto
the carpet, his friend GA takes the stage and accuses them of lofty-minded
complacency. “How dare you presume to
meddle in the affairs of humanity,” he demands, “when human beings are no more
that statistics to you and your crew! … Come off your perch! Touch … taste … laugh and cry! Learn where we’re at … and why!”
So,
our story ends with a member of the Guardians, disguised as an Earthman,
hitting the road in a beat-up pick-up truck with Hal Jordan (GA) and Ollie
Queen (GA). Just as Dennis Hopper and
Peter Fonda went in search of the real America in Easy Rider,
Ollie tells his two compadres, “There’s a fine country out there someplace!
Let’s go find it!”
Of
course, I tend to agree with the great philosopher Dorothy Gale, who said that
if you can’t find your heart’s desire in your own backyard, then you never
really lost it anyway. Were GL, GA, and
the Guardian looking for America, or running from themselves?
Superman’s Girl Friend
Lois Lane
#106, November, 1970
“I Am
Curious (Black)!” was written by Bob Kanigher and penciled by Werner Roth. It’s a strange mix of the embarrassing and
the genuinely thought-provoking. (Please
note that all comments about the characters and their behavior are made by me
and not the storytellers.)
Vapid,
flighty Lois Lane gets it into her
empty, trendy head “to get the inside story of Metropolis’ Little Africa!” In other words, she’s like the travelogue
movie producers who shot newsreels of those weird people from that Other Part
of the World. It’s only interesting to
learn about Little Africa, because it’s so different from her own (obviously
much better) way of life. Of course,
this is only my opinion, mind.
Anyway,
when she gets to Little Africa (could you figure out this is the “black part of
town”?), no one will talk to her. After
a page or two of this, she figures out that it’s because she is white. Even a blind lady on a park bench gets up and
leaves — “When she heard me speak — she knew I was white!” Lois muses.
Sounds
like prejudice runs both ways so far, eh, kiddies? Next, she runs upon a street corner, where a
nice-looking young fellow is haranguing a crowd. He points at Lois and shouts, “She’s young
and sweet and pretty! But never forget …
she’s whitey! She’ll let
us shine her shoes and sweep her floors! and baby-sit for her kids! But she doesn’t want to let our kids into
her lily-white schools!”
Soon
Lois asks for Superman’s help to get the real skinny (hardy-har-har) on Little
Africa. Using a Kryptonian machine
called the Plastimold, it performs a makeover, turning Lois black for 24 hours.
Then
Lois finds out her favorite taxi driver won’t pick her up, presumably because
of her new look, and she learns about the rats and the leaky roofs of Little
Africa. Dave Stevens, the same guy who
called her the enemy because she was Whitey, now comes on to her. Then he’s shot when he tries to stop some
(white) thugs from pushing drugs to some (black) kids. At the hospital, Lois is the only available
blood donor, and Stevens pulls through thanks to a transfusion from her to him.
After
the 24-hour transformation has ended, Lois visits Stevens in the hospital,
where he learns that she was the one who provided his transfusion. Then the guy who called her his enemy smiles,
and they hold hands. Fade out.
Another
interesting section of the story is where Lois confronts Superman with the
question, would he still love her if she were black. He responds with a logical observation, and …
well, see for yourself.
Sure,
in ways this might be a cop-out -- she changes back at a convenient time -- but
it’s no more a cop-out than any other story of the Silver Age -- you couldn’t
make permanent changes to the set-up. I
mean they couldn’t marry.
(See you next Monday with the rest of this ripped-from-the-comic-books- article.)
Labels:
In Comic Books,
News and Observations
Thursday, December 27, 2012
Monday, December 24, 2012
So Much for the End!
On the silly-season-sounding Day of Doom, December 21, 2012, God found a new way to say YES to life amidst the sounding clamor of Chicken Littles.
Andrew Lee came to us (through our younger daughter) on 12-21-12.
Unto us a child is born, unto us a son is given!
Merry Christmas!
Andrew Lee came to us (through our younger daughter) on 12-21-12.
Unto us a child is born, unto us a son is given!
Merry Christmas!
Labels:
My Things,
News and Observations
Monday, December 17, 2012
Musical Monday: MA-42 - Happy Christmas Time
I set out to find all of my favorite Christmas songs or versions of them and boil it all down.
This comes pretty close I hope you can enjoy it. Lots of these tracks are available on various albums, such as Ultra-Lounge and God with Us and Joan Baez's Noel. You can't go wrong with them!
In the case of "A Charlie Brown Christmas," I edited together the song from the soundtrack CD with a clip from the TV show.
Here are the songs:
3 - Exotic Night Martin Denny
4 - Little Drummer Boy Georgia Kelly
5 - Sweet Little Jesus Boy Chris Willis
6 - Happy Birthday Jesus Sparklepop
7 - Cha-Cha All the Way Capitol Studio Orchestra
8 - Carol of the Bells Teja Bell
9 - O Come, O Come, Emmanuel Joan Baez
10 - Heaven's Got a Baby Sarah Masen
11 - Away in a Manger The Philadelphia Orchestra
12 - I Need Christmas Erin O'Donnell
13 - We Three Kings Bop Claymation Christmas Celebration
14 - Here Comes Santa Claus Elvis Presley
15 - Jingle Bells Johnny Mercer
16 - Silent Night Twila Paris
17 - Christmas Time Is Here Again The Beatles (VM)
18 - White Christmas The Drifters
19 - Winter Wonderland Fleming and John
20 - Rudolph, the Red-Nosed Reindeer Mambo Billy May
21 - Rockin' Around the Christmas Tree Xmas! The Beatmas
22 - You Gotta Get Up Five Iron Frenzy
23 - Hark, the Herald Angels Sing A Charlie Brown Christmas
24 - Christmastime Is Here Seranova
25 - I Wonder as I Wander Joan Baez
26 - Silent Night, Holy Night The Philadelphia Orchestra
It's a deliberately eclectic mix, but the basic idea is --well, celebration! The idea that God loves us enough to become one of us to try and romance us back onto the path to Him! Why, that's worth changing your calendar for!
Now get out there and be joyful!
Whoops! Forgot the link!
Here it is: http://www.mediafire.com/?mjhg8kcg6xrcmgi
This comes pretty close I hope you can enjoy it. Lots of these tracks are available on various albums, such as Ultra-Lounge and God with Us and Joan Baez's Noel. You can't go wrong with them!
In the case of "A Charlie Brown Christmas," I edited together the song from the soundtrack CD with a clip from the TV show.
Here are the songs:
1 - Hark! the Herald Angels Sing The Philadelphia Orchestra
2 - Joy to the World The O.C. Supertones3 - Exotic Night Martin Denny
4 - Little Drummer Boy Georgia Kelly
5 - Sweet Little Jesus Boy Chris Willis
6 - Happy Birthday Jesus Sparklepop
7 - Cha-Cha All the Way Capitol Studio Orchestra
8 - Carol of the Bells Teja Bell
9 - O Come, O Come, Emmanuel Joan Baez
10 - Heaven's Got a Baby Sarah Masen
11 - Away in a Manger The Philadelphia Orchestra
12 - I Need Christmas Erin O'Donnell
13 - We Three Kings Bop Claymation Christmas Celebration
14 - Here Comes Santa Claus Elvis Presley
15 - Jingle Bells Johnny Mercer
16 - Silent Night Twila Paris
17 - Christmas Time Is Here Again The Beatles (VM)
18 - White Christmas The Drifters
19 - Winter Wonderland Fleming and John
20 - Rudolph, the Red-Nosed Reindeer Mambo Billy May
21 - Rockin' Around the Christmas Tree Xmas! The Beatmas
22 - You Gotta Get Up Five Iron Frenzy
23 - Hark, the Herald Angels Sing A Charlie Brown Christmas
24 - Christmastime Is Here Seranova
25 - I Wonder as I Wander Joan Baez
26 - Silent Night, Holy Night The Philadelphia Orchestra
Now get out there and be joyful!
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copyright © by Mark Alfred
copyright © by Mark Alfred



















