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Showing posts with label WATCHMENUTIA. Show all posts
Showing posts with label WATCHMENUTIA. Show all posts

Monday, June 22, 2026

WATCHMEN's Ever-Full Moon, Part 2


 THE EVER-FULL MOON

PART THE SECOND

            To quote Andy Rooney, “Did you ever notice ...”

            ... that in Watchmen, the moon is always full?

THE LUNAR LAGNIAPPE

            The moon is always full, even when its depiction is not part of the current storyline!

            Whenever the moon appears within the Tales of the Black Freighter comic being read by Bernie, it’s full.

            It’s full as the narrator eats shark (5:21).  Follow the arrow from a small version of the Black Freighter panel, to a larger one in which the full moon is obscured by the sailor’s narration “balloon.”

 

          And it’s full as he arrives at Davidstown (10:23)...

.. and as he leaves Davidstown for Black Freighter (11:13

           The moon’s even full in the “Nostalgia” TV commercial (7:13)!

A FULL WATCH-MOON

             True to Zack Snyder’s slavish channeling of the comic, the 2009 Watchmen movie similarly featured an ever-full moon.



            You can easily identify the story spots for the above three frame grabs.  Blake goes airborne at 05:00, Rorschach comes in at 13:10, and this view of the Black Freighter comic is from 26:26.

            At 1:54:23, the moon was full in Kovacs’s flashback to the night he solved the Claire Roche case.

            This shot is seen as Nite Owl and Silk Spectre 2 swoop in Archie to aid the tenement-fire victims, at 2:15:28.

            There’s a cross-voiceover from President Nixon, “Take Us to Defcon 1,” at 2:39:54, as Nite Owl and Rorschach search Veidt’s offices.

            Just as seen in the comic,  the moon is full as the once-marooned sailor rides into Davidstown and avoids “the pirate sentry,”  at 2:47:14

            In the third and final phase of our Lunar Survey, we’ll try to figure out a reason – any at all – for the wild fulness!

See you on Thursday some other wild madness! 

Monday, May 25, 2026

Tracking Some Sounds

 Here are three collections.

MA-02 - TREKonometry: Good, Bad, & Silly Versions of Star Trek Themes
1 The Galactic Force Band Star Trek TV Theme
2 Gene Page Star Trek TV Theme
3 Gotham’s Greatest Star Trek TV Theme
4 Gotham’s Greatest STAR TREK: The Motion Picture Theme
5 Chris Holland  Star Trek TV Theme
6 Nichelle Nichols Theme from Star Trek
7 Now Sound Orchestra Ilia’s Theme from ST:TMP
8 Now Sound Orchestra Star Trek II Theme
9 Now Sound Orchestra ST:TMP Theme
10 Schnauzer Radio Orchestra Star Trek TV Theme
11 The Charles Randolph Grean Sounde Star Trek TV Theme
12 Orion Star Trek Tekkno
13 The Secret Agents Star Trek TV Theme
14 Phil Reavis Star Trek TV Theme
15 Super Hero Orchestra Star Trek TV Theme
16 Ettore Strata Star Trek Suite
17 Ed Willett Star Trek TV Theme
18 Wonderland Space Shuttle Star Trek TV Theme
19 Laserlight Label Star Trek TV Theme
20 Phil Woods Quintet Star Trek TV Theme
21 London Philharmonic Star Trek TV Theme
22 James Horner The Search for Spock
23 Opie & Anthony Star Trek Rhapsody
24 The Firm Star Trekkin’

Track 22 was a maxi-single included with the vinyl STAR TREK III album in its original release.
1)  As heard in the film
2)  From the Telarc album “Time Warp”
3)  By the Now Sound Orchestra (1)
4)  From the Columbia album “Selections from 2001”
5)  From the Stage & Screen album “Space Movies”
6)  By the Doctor Exx Band
7)  By the Now Sound Orchestra (2)
8)  From the Laserlight album “Science Fiction Movie Themes”
9)  By the Wonderland Space Shuttle
10)  By Neil Norman
11)  From the soundtrack album “2010: The Year We Make Contact”
12) By the Ventures
13) From the soundtrack album “2001: A Space Odyssey” (but not heard in the film)

01 - The Times They Are A-Changin' (Film Edit) - Bob Dylan - 1964  (3:49)
02 - Diary Of A Madman - Ozzy Osbourne - 1981  (6:15)
03 - Neighborhood Threat - Iggy Pop - 1977  (3:23)
04 - The Comedians - Elvis Costello - 1984  (2:30)
05 - The Black Freighter (Live) - Steeleye Span - 1978  (6:15)
06 - Heroes (Album Version) - David Bowie - 1977  (6:06)
07 - Walking On The Moon - The Police - 1979  (4:59)
08 - If I Had Possession Over Judgement Day - Robert Johnson - 1961  (2:35)
09 - Life On Mars - David Bowie - 1971  (3:51)
10 - We Will Become Silhouettes - The Postal Service - 2005  (3:43)
11 - Outside Of A Small Circle Of Friends - Phil Ochs - 1967  (3:41)
12 - Jocko Homo - Devo - 1977  (3:37)
13 - Eve Of Destruction - Barry Mcguire - 1965  (3:33)
14 - Nightshift Watchman - David Wilcox - 1987  (3:15)
15 - Two - R D Laing, Alan Blakley, Ken Howard - 1978  (1:42)
16 - Requiem Aeternam - W A Mozart - 1791  (6:51)
17 - Santies - John Cale - 1982  (5:55)
18 - The Smiley Face Song - Charles Ball - 1998  (3:08)
19 - Def Con One - Pop Will Eat Itself - 1988  (4:01)

The post concerning MA-129 is here, with more info.  I was pretty satisfied at how I made the characters look like they were musical.

Hope you find some fun in here.  See you Wednesday with somethin I assembled.
  

Thursday, March 26, 2026

It's Art, Man!

This is a 1987 parody of Watchmen by a guy named Dan Burke.






















So, misspellings and overcrowded panels aside, you have to admit that Burke did a pretty impressive job of squishing a simulacrum of the whole Watchmen story into 23 pages!

We can only assume, from the names, that some of the characters are satirizing folks who were hangin' about in the comic-book industry around then.

Once again, the evil profiteering corporations have it in for the creatives.  What else is new?  See you Monday.
  

Monday, November 03, 2025

Two-Faced Rorshach!

 

           Among his many astounding, amazing, stupefying, and wow-istic accomplishments, Dave Gibbons came up with approximately seventy zillion different mirror-image faces for Rorschach.

       

            In 1987 I encountered Rorschach at OKC’s Southside Comics.  I tried to catch up with him, but he departed over a nearby fence into the rough of the adjacent golf course.

            This in-the-flesh near run-in inspired me to scour the series in search of places in which the same Rorschach facial pattern appears on separate occasions.

            I’m NOT counting page 20 of Chapter 12.  This is a “dolly-in” shot that keeps the focus on Rorschach the whole time, and the pattern remains the same intentionally.  Still, I’ve made note of two Rorschach face-patterns which repeat.

RORSCHACH FACE DUPLICATES:


            Both of these are “reaction” shots.  The first is on page 8 of Chapter One, in Blake’s apartment, as Rorschach discovers Blake’s hidden costume closet.  The second is on page 24 of Chapter 5, Rorschach’s face as he realizes Jacobi is dead.


            It may not be coincidental that both of the above views take place in Happy Harry’s bar.  The first appears on page 15 of Chapter One, the second on page 14 of Chapter Ten.  In fact, each face is seen as Rorschach responds to something Happy Harry says.

            At a later date, I entered Southside Comics to find Rorschach checking out the new arrivals.  When I asked him about his face’s repeating patterns, he said, “Hurrm.”

 

            Make of these what you will.  Are there more duplicate Rorschach face-patterns in Watchmen?


Thursday, June 12, 2025

WATCHPANELS, Part the Eleventh

WATCHPANELS

One compulsive reader’s observations ...

after gazing into Watchmen for the umpteenth time

Yup my friends, it's hard to believe that it's been a year since we discussed Chapter Ten of Watchmen.

Part the Eleventh

All right, I’ve got photons in my teeth and my wrist brace on ...

In another of Alan Moore's occasional Briticisms, we have Adrian Veidt say “disorientating” instead of “disorienting.”

Veidt isn’t out to carve “a headstone for humanity,” he’s just out to bury anyone who would oppose him. Sounds suspiciously like Khrushchev’s 1959 boast that the USSR would “bury” the West.

*hurm* Maybe Veidt is a pinko sympathizer!

Much has been made of Veidt’s looking right at the reader, as if he’s thinking it over. No, he’s not. This self-absorbed, arrogant so-and-so is probably just laughing at us! The smug jerk!


On the other hand, either Veidt or Moore have a pretty wicked sense of ironic punnery. Read the last two words, all by themselves in their own speech balloon. After all, what better phrase could describe the weather outside Veidt’s dome ... the weather which he hopes will kill Rorschach and Nite Owl ... the weather which will now kill his three faithful servants? (Hint ... it’s how his German parents might have pronounced it.)

Why, it’s a VEIDT-OUT!

I agree with those who wonder how Veidt could have given all his money away, yet have been able to travel the world over. I imagine Veidt is lying about the giveaway.

As a younger child of the ’60s, I’ve always felt disgust at the concept of using mind-altering substances. The older “kids” might do it, but all I saw of it was heartbreak, theft, and stupid behavior. Intended by Alan Moore or not, the fact that Veidt’s “revelation” was sparked by a psychotropic trip brings his purported intelligence down another notch – in my opinion.

Perhaps you can tell that for me, Ozzy’s shine is long gone. I don’t think he is ashamed at all about killing his three servants. It’s not like he hasn’t already numbered his victims in the millions.

The Black Freighter has “reaped the wealth of the Sargasso” which is east of US East Coast. In my heretical opinion, this is 1) an implication by Alan Moore that the ship swept the entire globe; or, 2) Moore simply threw the phrase in for its sound, without thinking that the Sargasso Sea is nearly antipodal from the East Indies.

Here’s a full view of Veidt’s Alexander the Great painting. Was Gibbons paraphrasing a particular painting? Here are a few of the approximately umpty-zillion images of the tableaux. But knot one of them (get it? knot one!) looks like the specific inspiration for Gibbons’s image.



... Which makes perfect sense, in one way! Because I can easily imagine that Adrian Veidt, the supreme egoist, commissioned the painting as a portrait in his own likeness!

I’m not too impressed with Veidt’s self-serving explanation. It’s a chronicle of his megalomania and his rationalization for deliberately abrogating the individual rights of not only the ones he murdered, but of the survivors.

The black spot on Dan’s left hand is some kind of missed blooper, according to Gibbons, as quoted in the Annotated edition.

And I’m sure you’ll agree with me that, despite his other shortcomings, in this sequence Malcolm Long, Bernard the newsvendor, and Detective Steve Fine act like true heroes, putting themselves into harm’s way for another, even though it’s dangerous.

Even if there’s no hope of succeeding.
But, back to Karnak ...

What is that design on the armor in the display case, left foreground? The breastplate looks like it’s depicting a man being swallowed by a tentacled plant!


Or this one, from the 1957 schlockfest The Land Unknown.

Here is a mosaic of Alexander from Pompeii, supposedly copied from a painting from Alexander’s lifetime. it shows perhaps a more believable breastplate design.

The epigraph is in quotation marks in the comic, but not in bound editions.

Further, there is a comma after “Ozymandias” in the comic, but not in bound editions.


For a supposed scholar, Leslie Klinger makes a stupid error in his commentary on this page, in Annotated Watchmen. He gives the wrong acronym for U.N.C.L.E.! He’s not the first person to make the mistake of thinking that U.N.C.L.E. was part of the “United Nations.” Still, you’d think that such a “scholarly” work would have some factcheckers! As any Baby Boomer, or anybody with internet skills can tell you, it’s the “United Network Command for Law and Enforcement,” not the “United Nations Command”!

Thanks for stopping by. Only one chapter left!
  
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