Email me with comments or questions to msuperfan1956@gmail.com – note that comments sent through Blogger DO NOT allow a personal response.

Wednesday, November 16, 2011

Degrees of "Son of Frankenstein"


While watching the 1940 WC Fields film The Bank Dick on TMC the other day, I was astounded to recognize some of the music.  It’s an active, suspenseful piece that is used twice in The Bank Dick, each time to accompany a bank-robber chase (there are two bank robberies in the movie!).

It was music from 1939’s Son of Frankenstein, by Frank Skinner!  The music is heard at the climax of Son, when the Monster (Karloff) has taken Dr Frankenstein’s little boy.  There are various scenes of pursuit and standoff, as the Monster holds the tyke over the lava pit, until Basil Rathbone does his Tarzan act and saves the day.

I checked with IMDB                        http://www.imdb.com/title/tt0032234/fullcredits#cast          about The Bank Dick,   and it says that Frank Skinner was the “uncredited” composer.  The onscreen credits list the Musical Director for this Universal movie as Charles Previn.

So here we have a clear case of what they call, in TV, “tracking” – that is, using music previously prepared for one situation, in another.  Another classic example from the movies is how Universal reused Franz Waxman’s exotic Bride of Frankenstein music for its Flash Gordon serials.

Now, here’s another interesting movieland cross-pollonization.  Growing up as a twisted sort of soul, I had seen Son of Frankenstein at least ten times before, as an adult, I watched Bambi with my young children.  Once again, I went “hmmmm,” when I heard “young” Bambi speak.  Now, WHERE had I heard that too-cute voice before?

And then it hit me – it was the same voice as Peter von Frankenstein, the infant Son of Frankenstein!

Nowadays, you can see Donnie Dunagan listed as the “uncredited” voice of young Bambi on IMDB.  But twenty years ago, all I could do was go, “hmmmm.”

See you next Wednesday!

Wednesday, November 09, 2011

MA-26 - Break -Ins from Beyond

Along with the rising of mass media and a united pop culture in the twentieth century came a realization that folks might have shared the same experience as you, even if they hadn’t been WITH YOU.  In other words, two people might have seen the same silent movie, even though they lived in far-apart towns.  Hence,  “So’s your old man!” came to mean, “Shut up” or “I disagree with you,” by common reference to the WC Fields 1926 silent movie of the same title.

Similarly, Veronica Lake’s hair-over-one-eye look may have been sultry and attractive, even when emulated by thousands of women in the 1940s, but it also was dangerous when those same women were working in war plants during WWII and got their loose, sultry tresses caught in machinery, leading to injury and death.  Here’s a Youtube video concerning this: http://www.youtube.com/watch?v=mgpvKXLTwr8

When recorded music reached this same plateau (or valley, take your pick), then folks could start referring to hit records with the assurance that the listener would understand the reference.  That’s the whole idea behind sound-alike “cover” versions of pop tunes.  If the imitation sounded enough like the original, then the cover version could score some sales, riding on the coattails of the original hit record.

Then came along people with twisted senses of humor, like me.  They realized that this same familiarity with hit records meant that various catch-phrases could be cut out from the recording and reassembled, much like a newspaper-ad ransom note.

And thus the “break-in” record was born.  Ordinarily, such an assemblage would have the format of a narrator or an interview giving a leading statement that could then be “replied to” by a one-or-two-second segment from a song that was current enough that the hoped-for listener would recognize the clip, and get the joke – meanwhile marveling at the assembler’s creativeness, and eventually buying the break-in record.

Here’s my own assemblage of a bunch of these, as they relate to outer space and little green men, and the like.  Not all are break-ins, there are some more straight songs.

Here are the tracks:
1 -        Marty on the Planet Mars Part 1         Martty 1954
2 -        Marty on the Planet Mars Part 2         Martty 1954
3 -        Santa and the Satellite Part 1  Buchanan and Goodman        1957
4 -        Santa and the Satellite Part 2  Buchanan and Goodman        1957
5 -        Destination Love        Jan Davis         1958
6 -        The Outer Space Looters Part 1          The Mad Martians       1958
7 -        The Outer Space Looters Part 2          The Mad Martians       1958
8 -        Flying Saucer The 3rd Buchanan and Goodman        1959
9 -        Blast Off!        Jimmie Haskell and His Orchestra      1959
10 -      Comic Strip Rock N Roll        Robert Ashley 1959
11 -      Space Ship      Dickie Goodman         1960
12 -      Santa and the Touchables       Dickie Goodman         1961
13 -      Moon Gas       Dick Hyman and Mary Mayo 1963
14 -      The Flying Saucer       Chickenman      1966
15 -      Luna Trip        Dickie Goodman         1969
16 -      London, London         Ceatano Veloso           1971
17 -      Spaceship        Spontaneous Combustion         1973
18 -      Calling Occupants of Interplanetary Craft     Klaatu 1976
19 -      Hey ET            Dicklie Goodman        1982
20 -      The Martian Boogie    Brownsville Station    1977
21 -      The Ballad of William Robinson        Bill Mumy       1997
22 -      Return of the Flying Saucer    Jon Goodman  1997
23 -      I Took A Trip On A Gemini Spaceship          David Bowie      2002
24 -      UFO    Darryl Rhoades           2005
25 -      le flying saucer hat      Chairlift           2008
26 -      Flying Saucers Breakfast in Fur          2009

And here is the link:   http://www.megaupload.com/?d=X17GB074

As John Landis likes to say, SEE YOU NEXT WEDNESDAY!

Wednesday, November 02, 2011

Farewell to a King-Sized Sweetheart

Here’s what the Daily Oklahoman’s obit read


March 22, 1959 - October 28, 2011 MOORE Mark Lynn Barragar left this life to be with the Lord on Friday, October 28, 2011. He was born March 22, 1959 in Columbus, Kansas. He was the only child of Wallace and Loree Barragar. He graduated with the Capitol Hill High School Class of 1976. He spent most of his working life as a Master Control technician. Mark enjoyed a variety of pastimes, especially entertaining. Many people know Mark best by "Ranger Roger," the name he used when he hosted "Camp Kids Club" on KOKH (Channel 25) from 1991 to 1998. His most recent passion was as an Elvis "tribute artist" known as the "King-sized King." Mark married the love of his life, Yvonne, in 1981 and is the stepfather of Dru West of Chicago, IL; and Yevette O'Leary of Shawnee, OK; and is survived by them and his son-in-law, Michael O'Leary; and grandchildren, Turner, Kathryn, Ashlyn and J. Patrick. He was preceded in death by his parents, Wallace and Loree Barragar. A Memorial Service will be held at 11 a.m., Tuesday, November 1, 2011, at John M. Ireland Funeral Home Chapel, Moore, OK, under their direction.


I knew Mark since the 1990s.  He came to a ThunderCon in full Klingon regalia.  Believe me, you pay attention to a 6-foot-4 Klingon!

Mark had played the Frankenstein Monster on Count Gregore’s Sleepwalker’s Matinee on Channel 5.  In the 1990s he was “Ranger Roger” for Channel 25.  Later he became an Elvis tribute artist, “The King Size King.” 

in the 2000s, Joyce and I saw him perform as the King several times, once at Moore’s Yellow Rose Theatre, where we bought this CD.

In between, Mark had talked to me about having his own show as a horror host (probably based on Count Gregore and other hosts).  I wrote him a couple of scripts, and when Mark said his character would be Cyclopean, I suggested we name him Professor Eisingel (“Eye”+”single”, get it?)  Alas, nothing came of that.

You can find a few more tributes here:



As to his CD, here are the tracks:
1) 2001 / That's Alright Mama
2)  Hound Dog
3)  Treat Me Nice
4)  Love Me
5)  Follow That Dream
6)  Viva Las Vegas
7)  In the Ghetto
8)  Wonder of You
9)  American Trilogy
10)  I Can't Stop Loving You

And here is the link:   http://www.megaupload.com/?d=CT5EG86Q

See you next week!

Monday, October 31, 2011

Under the Halloween Tree

We end this Halloween season with a bit of gentle fun, John Debney's enchanting soundtrack to the 1994 telefilm The Halloween Tree.  It was based of course on Ray Bradbury's fun tour of Halloween origins, the volume of the same name.

Here are the tracks:


01. Main Titles
02. Our Costumes
03. Pip's House
04. The Note / The Ravine
05. The Funeral March / Stairs
06. The Marley Knocker
07. Meeting Moundshroud
08. Pip and the Tree
09. Where is Pip?
10. The Barn Poster Kite
11. Landing in Egypt
12. Feast of the Spirits
13. Through the Streets
14. The Tomb Chase
15. Mummies
16. Pip's Casket
17. Funeral Procession
18. Leaving Egypt
19. Medieval Festival / New Years'
20. Stonehenge
21. Broomsticks
22. Witches Hideout
23. "What's a Witch?"
24. Witches Chant
25. Burnings and Flight
26. The Construction Yard
27. Sanctuary
28. The Cathedral
29. The Whistle / Gargoyles
30. Gargoyle Chase pt. 1
31. Gargoyle Chase pt. 2
32. Next Stop, Mexico!
33. Candle-lit Graves
34. Gargoyles Dissipate
35. Sugar Candy Skulls / PiƱata
36. The Catacombs / Pip Trapped
37. The Trade
38. Coming Back
39. Pip's Alive! / Moundshroud's Pumpkin
40. End Titles


And here is the link:     http://www.megaupload.com/?d=KEE70YEZ

And, as the butcher said when he sold me the empty frankfurter casing,

HAPPY HOLLOW-WEENIE!

Sunday, October 30, 2011

Anybody Remember Mazeppa?

In the early 1970s, late-night Saturday TV, in the Tulsa, OK broadcasting area, didn't get any cooler (or sillier) than Mazeppa Pompazoidi's Uncanny Film Festival and Camp Meeting.  Unlike many monster-show hosts, Gailaird Sartain's skits were actually humorous (sometimes).
Here's a contemporary photo

and here's me in about 1972, wearing my mom's rendition of the outfit:
One can only say, LAWZEE!

About twenty years later, the costume was still intact when I posed with a Franken-friend:
Growing up means being able to be silly.

See you tomorrow for some fun and creepy music to wrap up this year's BLOG-O-WEEN!

Friday, October 28, 2011

The Haunted Treehouse

From my copy of the October, 1964 Jack and Jill:


Thursday, October 27, 2011

She Hate Me. Like Others!

The rest of the Bride's tale from the coloring book.




Wednesday, October 26, 2011

more from Jack and Jill

more of my eight-year-old Halloween reading.
Except for the skin color, the witch on the bottom right kind of resembles a couple of Jr High teachers I remember.

Tuesday, October 25, 2011

Windmills Are Less Dangerous Than You Think

Not only did Victor Frankenstein survive being tossed from the windmill in Frankenstein, his critter survived in the basment, as told in more pages from the Universal coloring book.




"I was gonna make espresso!"

Monday, October 24, 2011

Ghouls with Attitude, Volume 2



Here is the second installation of Oddio Overplay’s Halloween record.  As I said last Monday, the comps are sadly no longer available from them!

Here are the tracks:
1)  Billy DeMarcus - Drac's Back
2)  Movie Trailer - Ghost In The Invisible Bikini
3)  Peter Pan Singers  - Theme to Casper the Friendly Ghost
4)  The Creatures - Mostly Ghostly
5)   Tyrone A' Saurus & his Cro-Magnons - The Monster Twist
6)  Mann Drake - Vampire's Ball
7)  Movie Trailer - The Return of Count Yorga
8)  The Hamburger Brothers - Omar The Vampire
9)  The Zanies - The Mad Scientist
10)  The Cool Ghoul - You Can't Ghoul Me
11)  Ted Cassidy - The Lurch
12)  The Detergents - Igor's Cellar
13)  The Milton the Monster Show - Theme Song
14)  Movie Trailer - Graveyard Tramps
15)  Cathy Mills - Monster Hop
16)  Glen Ryle - Wolf Gal
17)  Movie Trailer - Dr. Jeckyl and Sister Hyde
18)  Ralph Marterie and His Marlboro Men -  Alfred Hitchcock Presents
19)  Lois Prante Ellis and Mary Ann Parker - Troll At The General Meeting
20)  Jimmy Cross - I Want My Baby Back
21)  Count Baltes & The Egors - Opening The Coffin
22)  Sounds of Terror! - The Exorcism
23)  Al Zanino - The Vampire Speaks

And here is the link:   http://www.megaupload.com/?d=XB3JJYVJ  

  See you again soon!

Friday, October 21, 2011

from October 1964

My copy of this magazine has no cover any more, but I found an image of it somewhere.  Here it is, along with a seasonal song.


Thursday, October 20, 2011

Trick-or-Treat Twins and a Poem

From the October 1965 Golden Magazine:



Even if she had help from Mom and Dad, that's still a fine effort for a nine-year-old.

Wednesday, October 19, 2011

Frankenstein Is Colorized!

...courtesy of my daughter Melissa, who was about 8 at the time.



Tuesday, October 18, 2011

Universal Monster Stamps

In 1997, the USPS issued these stamps featuring some of our favorite guys.


Monday, October 17, 2011

Ghouls with Attitude, Volume 1

The Oddio Overplay website no longer seems to carry this anthology of fun and “scary” music.  Glad I found it first to share with you!


This is Volume 1.  Next Monday will bring Volume 2.

Here are the tracks:

1 Tarantula Ghoul and the Gravediggers - Graveyard Rock   
2 Don Hinson and the Rigamorticians - Riboflavin-Flavored, Non-Carbonated, Polyunsatured Blood   
3 Movie Trailer - Vampire Playgirls   
4 Bobby Bare - Vampira   
5 The Crewnecks - Rockin' Zombie   
6 Griz Green - Jam at the Mortuary   
7 Movie Trailer - Monsters Crash the Pajama Party   
8 The MSR Singers - Monster Man   
9 The Abominable Surfers - Monster Surfer   
10 Bobby 'Boris' Jones - Surfer Smash   
11 Jupiter Jones - The Spook Spoke   
12 Bob McFadden and Dor - I Dig You Baby   
13 Movie Trailer - The Mind of Mr. Soames   
14 Albert DeSalvo - Strangler in the Night   
15 Kenny and the Fiends - House on Haunted Hill   
16 Winchell's Donut House Halloween Record - Hear the Monsters (Spooky Sounds and a Spooky Tale)   
17 Buddy Morrow and His Orchestra - The Raven   
18 The Modernaires - The Rockin' Ghost   
19 Bob Rosengarden & Phil Kraus - Satan Takes a Holiday   
20 Boris Karloff and Friends - Ha Ha Ha / The Bride of Frankenstein   
21 Movie Trailer - Brain Eaters   
22 Groovie Goolies - Goolie Garden   
23 Hap Palmer - Haunted House   
24 Bruce Haack and Norman Bridwell - The Witch's Vacation   
25 Sounds of Terror! - Burned at the Stake    
26 Louise Huebner - Intro Orgies, a Tool of Witchcraft   
27 Marty Manning and His Orchestra - Night on Bald Mountain   
28 Criswell (The Legendary) - Someone Walked Over My Grave  

and here is the link:     http://www.megaupload.com/?d=WVXUPCF2


Friday, October 14, 2011

A Halloween Mix-Up

More from the October 1964 Jack and Jill



See you Monday with some high-voltage music!  Until then, may all your music be mixed-up.

Thursday, October 13, 2011

Color a Monster

Here are the first few pages from the Universal Monsters Coloring Book.



What happens when the lightning strikes (as if you didn't know)?  Stay tuned!

Tuesday, October 11, 2011

Book Review: Vampire Forensics: Uncovering the Origins of an Enduring Legend


Vampire Forensics: Uncovering the Origins of an Enduring Legend is by Mark Collins Jenkins, who is listed on the jacket flap as a National Geographic historian.

Boy, is National Geographic in trouble!

The book itself is an interesting enough read, but it’s mostly a rehash of stuff you can find elsewhere.  It’s a Discovery Channel or History Channel digest of a much more involving and fascinating topic (viz., the origins of worldwide belief in vampires).  That’s not necessarily an insult, but it is definitely NOT a great compliment.

This book really only spends a few pages dealing the topic suggested by the title.  That is, putting the lore of vampirism under the medical microscope.

If you want to read an authoritative book about this, I cannot highly enough recommend Paul Barber’s  Vampires, Burial, and Death: Folklore and Reality.


Barber’s book is the real deal, explaining how the actual behavior of corpses could have given rise to middle-European vampire legendry.

But if you are in the mood for the literary equivalent of Count Floyd explaining vampires (but without the silliness), read Jenkins’s book.

Here’s what I mean about National Geographic being in trouble.

The book contains several errors that SHOULD NOT APPEAR in this book, ESPECIALLY in a book by a supposed historian, and a book sponsored by National Geographic, supposedly an educational-type set-up.

On page 48, in his discussion of Stoker’s Dracula, Jenkins refers to the vampire version of Lucy Westenra as “the Blooper Lady.”  DUH!  Lucy was called by her child victims a “bloofer lady.”  Bloofer (with an F) was Stoker’s representation of a Lucy’s child victims saying that she was beautiful.  So, by using BLOOPER, Jenkins has committed a BLOOPER.

On pages 51-52, Jenkins narrates the controversy stirred by FW Murnau’s 1922 silent film Nosferatu, and Florence Stoker’s quest to have it eradicated.  Jenkins says, “Bram Stoker had died in 1912, but when his widow, Florence, got wind of Murnau’s changes, she tried to shut the production down.  Royalties from Dracula were her main income, and she found the German film a thinly disguised pirating of the novel.  So she sued.”

Jenkins is correct that Florence Stoker sued, and that Dracula’s royalties were her main source of livelihood.  But her legal action wasn’t because she got wind of “changes” to Stoker’s story being made in the production of an in-development film.  Mrs Stoker DID NOT try “to shut the production down.”  There was no production going on.  No, Nosferatu was already made, and in distribution, when Mrs Stoker “got wind” of it.  She wasn’t mad about “changes.”  She was mad because, despite the changes, the film was indeed a “thinly disguised” version of SOME of Dracula’s plot.  She wanted money (which wazs entitled to, as Stoker’s heir).

Horror fans everywhere are happy that some of the prints survived the court-ordered destruction.

On page 195, Jenkins gives an incorrect definition of theological dualism.  He says that the Bogomil sect “was one in a long line of dualist religions – faiths that considered all matter as evil and revere all spirit as good.”  Right word, wrong definition.

There is a branch of “philosophy of mind” called Dualism, that indeed relates to the relationship between mind and matter.  However, the spiritual, or religious beliefs labeled “dualism” are concerned NOT with matter and non-matter, but with more primary forces.  These powers may express themselves through matter, but are spiritual forces.

According to the Catholic Encyclopedia’s article on Dualism: “First, the name has been used to denote the religious or theological system which would explain the universe as the outcome of two eternally opposed and coexisting principles, conceived as good and evil, light and darkness, or some other form of conflicting powers. We find this theory widely prevalent in the East, and especially in Persia, for several centuries before the Christian Era.” http://www.newadvent.org/cathen/05169a.htm

So, Jenkins is using the incorrect definition of Dualism in his discussion of various European sects.  But the main problem is that he is “informing” his less enlightened readers by defining theological Dualism – with a wrong definition!

On page 229, Jenkins draws an incorrect inference from the location of the Egyptian Pyramids.  “Possessing the most elaborate funerary complex of them all, as the pyramids have reminded countless visitors, the Egyptians so purified, embalmed, mummified, memorialized, and mythologized their dead that surely they must have told tales of their occasional return.”

This is an common, though wrong, conclusion --  that the Pyramids’ primary function is to be giant mausolems.  The pyramids do indeed remind visitors to Egypt of death, by their location, not through any actual use as centers of death.  Not a single burial has ever been found to have taken place in an Egyptian  pyramid.  The pyramids were NOT tombs.  They may have been astronomical markers, centers for ritual religion, and monuments to human vanity, but they were NOT tombs.  Which is what Jenkins is implying here.

These bloofers (I mean BLOOPERS) show that National Geographic needs some historians to check up on their historians.  If “little” errors like these get into print, how much else of the book can be trusted?  Now, that’s perhaps an exaggeration.

But just because a book has a respectable implied endorsement, don’t simply trust what it tells you -- check for yourself!

So, this book doesn’t really add much to the scads of books already out there about vampires and the rise of vampire belief.  I paid $5 for it, and you can buy it for less from Amazon.  Feel free to peruse it, just don’t be impressed by the “credentials” prominently displayed on the cover.

As George Harrison said, “Think for yourself, for I won’t be there with you.”

All original content
copyright
© by Mark Alfred